Canonical Classics ← 第四十五回
第四十五回
sānqīngguànshèngliúmíng
chēchíguóhóuwángxiǎn

At the Abbey of the Three Pure Ones the Great Sage leaves his name; in the Kingdom of Cart-Slow the Monkey King displays his magic.

濃雲賦
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition 含詞賦 With rhapsody

濃雲賦 The Rhapsody of the Clouds

sūnxíngzhěyòuxiǎnshéntōngjīnbàngzuānzuānwàngkōngyòuzhǐzhǐjiànsūnxíngzhěyòuxiǎnshéntōngjīnbàngzuānzuānwàngkōngyòuzhǐzhǐjiàn

tuīyúntónglángjūntuīyúntónglángjūn
tuīyúntóngxiǎnshénwēichùshíchuítiāntuīyúntóngxiǎnshénwēichùshíchuítiān
lángjūnshīnóngfēiyāngàilángjūnshīnóngfēiyāngài
mángmángsānshìànrǎnrǎnliùjiēhūnmángmángsānshìànrǎnrǎnliùjiēhūn
yīnfēnghǎishàngsuíchūkūnlúnyīnfēnghǎishàngsuíchūkūnlún
qǐngmàntiānshìchénqǐngmàntiānshìchén
wǎnránhùndùnjiànfènglóuménwǎnránhùndùnjiànfènglóumén

shíhūnménglóngnóngyúnàidàishíhūnménglóngnóngyúnàidài


逐句解 Line by line

sūnxíngzhěyòuxiǎnshéntōngjīnbàngzuānzuānwàngkōngyòuzhǐ sūnxíngzhěyòuxiǎnshéntōngjīnbàngzuānzuānwàngkōngyòuzhǐ

Sun the Pilgrim showed his divine power again, gave the gold-banded cudgel a twist, and pointed once more toward the sky.

孫行者: = xíng. 金箍棒 the gold-banded cudgel. 鑽一鑽 / 又一指: = (before 1st/3rd tones).

zhǐjiàn zhǐjiàn

One saw only this:

Deictic 只見那: = — the verse-tag.

tuīyúntónglángjūn tuīyúntónglángjūn

The Cloud-Pushing Lad, the Mist-Spreading Lord.

童子: = (a boy-attendant). The two cloud-deities named in apposition.

tuīyúntóngxiǎnshénwēichùshíchuítiān tuīyúntóngxiǎnshénwēichùshíchuítiān

The Cloud-Pushing Lad shows his divine might: billowing and swelling, the clouds touch the rocks and hang from heaven;

童子: = . 骨都都: = (onomatopoeic/descriptive reduplication, “billowing” — cf. the ch.40 鑼鼓經 ruling). 觸石垂天 “touching the crags, trailing from the sky.”

lángjūnshīnóngfēiyāngài lángjūnshīnóngfēiyāngài

the Mist-Spreading Lord plies his magic power: thick and boundless, the flying vapour covers the earth.

濃漠漠 “dense and vast.” 飛煙蓋地 “flying vapour blankets the ground.”

mángmángsānshìànrǎnrǎnliùjiēhūn mángmángsānshìànrǎnrǎnliùjiēhūn

Vast and dim, the three markets darken; slowly, slowly, the six streets grow dark.

茫茫 “boundless, blurred.” 冉冉 “gradually, softly.”

yīnfēnghǎishàngsuíchūkūnlún yīnfēnghǎishàngsuíchūkūnlún

Borne on the wind, they leave the sea; following the rain, they issue from Kunlun.

因風離海上 “by the wind, off the sea.” 隨雨出崑崙 “with the rain, out of the 崑崙 (Kunlun) range.”

qǐngmàntiānshìchén qǐngmàntiānshìchén

In a moment they flood heaven and earth; in an instant they veil the dusty world.

頃刻 “in a trice.” 須臾 “an instant.” 蔽世塵 “screen the world of dust.”

wǎnránhùndùnjiànfènglóumén wǎnránhùndùnjiànfènglóumén

It is just as in primal chaos: not a gate of the phoenix-tower can be seen.

宛然如混沌 “exactly like the undivided 混沌 (chaos)” — echoing the cosmogonic opening of the whole novel. 不見: = before (4th tone).

shíhūnménglóngnóngyúnàidài shíhūnménglóngnóngyúnàidài

At this the dim mist hung hazy, the thick clouds massed and billowing.

昏霧朦朧 “dim mist, hazy.” 濃雲靉靆 (àidài) “thick clouds, dense and rolling.”


總評 Commentary

The second contest-rhapsody answers the second point of the staff. Shorter and more lyrical than the wind 賦, the cloud rhapsody works by accumulation — billowing, spreading, darkening — until the world is returned, in its closing couplet, to the undivided 混沌 of before creation, a deliberate echo of the novel's opening poem. The onomatopoeic 骨都都 (the clouds “billowing up”) takes = , the sound-reading established for the 鑼鼓經 percussion-notation back in ch.40 rather than the everyday dōu.