Canonical Classics ← 第四十回
第四十回
yīngérhuàchánxīnluàn
yuándāoguīkōng

The Baby, Playing at Transformation, Throws the Chan-Mind into Chaos · Ape and Horse, the Sword-Crucible and Wood-Mother, Come to Naught

三頭六臂
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

三頭六臂 Three Heads and Six Arms

sānrénbānténgxúnzhuǎnjiànxíngjīngyǒushíquèméiyīnxìnshānshàngfēiqínzǒushòuquánlǎobǎiqiáosōngchángjiànsūnshèngzhuóshíxīnjiāojiāngshēnzòngtiàoshàngdiānxiǎnfēngtóushēngjiào:「biàn!」biànzuòsāntóuliùnàotiāngōngdeběnxiàngjiāngjīnbànghuǎnghuǎngbiànzuòsāngēnjīnbàngdewǎngdōngwǎng西liǎngbiānzhùdeluànjièjiànledào:「shāshànghǎoleshīxiōngshìxúnzháoshīnǎochūxīnfēngláile。」sānrénbānténgxúnzhuǎnjiànxíngjīngyǒushíquèméiyīnxìnshānshàngfēiqínzǒushòuquánlǎobǎiqiáosōngchángjiànsūnshèngzhuóshíxīnjiāojiāngshēnzòngtiàoshàngdiānxiǎnfēngtóushēngjiào:「biàn!」biànzuòsāntóuliùnàotiāngōngdeběnxiàngjiāngjīnbànghuǎnghuǎngbiànzuòsāngēnjīnbàngdewǎngdōngwǎng西liǎngbiānzhùdeluànjièjiànledào:「shāshànghǎoleshīxiōngshìxúnzháoshīnǎochūxīnfēngláile。」


逐句解 Line by line

sānrénbānténgxúnzhuǎnjiànxíngjīngyǒushíquèméiyīnxìn sānrénbānténgxúnzhuǎnjiànxíngjīngyǒushíquèméiyīnxìn

The three of them, clinging to creepers and hauling on vines, sought over slopes and round gullies, and after they had traveled some fifty or seventy li, still found no word or sign.

扳藤: = bān ("to haul, grip"). 行經: = xíng. 里 (li) untranslated.

shānshàngfēiqínzǒushòuquánlǎobǎiqiáosōngchángjiàn shānshàngfēiqínzǒushòuquánlǎobǎiqiáosōngchángjiàn

On that mountain there was not a single flying bird or running beast — only old cypress and tall pine, common to the eye.

那山上: deictic = . 常見: = cháng ("commonly seen").

sūnshèngzhuóshíxīnjiāojiāngshēnzòngtiàoshàngdiānxiǎnfēngtóushēngjiào:「biàn!」 sūnshèngzhuóshíxīnjiāojiāngshēnzòngtiàoshàngdiānxiǎnfēngtóushēngjiào:「biàn!」

The Great Sage, truly heartsore, gave his body a leap, sprang to the top of that jagged peak, and shouted a cry: "Change!"

著實心焦: = zhuó ("truly, indeed"; 著實). 將身一縱: disposal = jiāng; 一 sandhi → before (4th tone). 那巔嶮: deictic = . 喝一聲: 一 sandhi → before (1st tone).

biànzuòsāntóuliùnàotiāngōngdeběnxiàng biànzuòsāntóuliùnàotiāngōngdeběnxiàng

and turned into a figure of three heads and six arms, like his true form from the Great Uproar in Heaven.

似那大鬧天宮: = ("like"; GLOBAL, not the 似的 collocation); deictic = .

jiāngjīnbànghuǎnghuǎngbiànzuòsāngēnjīnbàngdewǎngdōngwǎng西liǎngbiānzhùdeluàn jiāngjīnbànghuǎnghuǎngbiànzuòsāngēnjīnbàngdewǎngdōngwǎng西liǎngbiānzhùdeluàn

He gave his gold-hooped cudgel a shake and turned it into three gold-hooped cudgels, and with a whickety-whack laid about him — beat out a path to the east, beat out a path to the west, striking wildly and without pause on both sides.

將金箍棒: disposal = jiāng. 幌一幌: 一 sandhi → before (3rd tone). 往東打一路 / 往西打一路: both 一 sandhi → before (4th tone). 兩邊不住的: mechanical sandhi raises to before (4th tone); subordinating = de.

jièjiànledào:「shāshànghǎoleshīxiōngshìxúnzháoshīnǎochūxīnfēngláile。」 jièjiànledào:「shāshànghǎoleshīxiōngshìxúnzháoshīnǎochūxīnfēngláile。」

Eight Rules, seeing it, said: "Sha Monk, this is bad — Elder Brother, failing to find the Master, has flown into a raging mind-storm out of vexation."

尋不著: = zháo (resultative, "fail to find"). 氣心風 = "a mind-storm of temper."


總評 Commentary

The search yields nothing, and Wukong's response is characteristic: where patience fails, he escalates to force and spectacle. Manifesting the three-headed, six-armed form of the Great Uproar in Heaven — the shape of his oldest and most formidable self — he multiplies his cudgel and thrashes the empty mountain, beating out paths east and west. It is less a search than a summons: the display is meant to flush out whatever local powers might be hiding, and, as the next passage reveals, it works, dragging the mountain's cowering gods and earth-spirits out of concealment.

Bajie's misreading supplies the comedy and, obliquely, the truth. Watching Wukong flail, he concludes his brother has been driven mad with frustration — an 氣心風, a "mind-storm of temper" — which is wrong as to Wukong's intent but shrewd as to his state, since the display does spring from real vexation at the fruitless search. The scene also quietly reasserts Wukong's stature after the low point of the parting-talk: the disciple who a moment ago spoke of giving up is here revealed again as the Great Sage of old, three-headed and six-armed, whose mere show of temper commands the terrain. The reassertion is timely, for the passages ahead will require exactly this authority — to compel the mountain's spirits to testify, and then to face the fire-wielding demon whose lair they will name.