原文 Original text
繁體 Traditional
Reader's edition
樹上孩童
The Child in the Tree
還未曾坐得穩,只聽又叫:「師父救人啊!」長老擡頭看時,原來是個小孩童,赤條條的吊在樹上。兜住韁,便罵行者道:「這潑猴多大憊懶,全無有一些兒善良之意,心心只是要撒潑行兇哩!我那般說叫喚的是個人聲,他就千言萬語,只嚷是妖怪。你看那樹上吊的不是個人麼?」大聖見師父怪下來了,卻又覿面看見模樣,一則做不得手腳,二來又怕念緊箍兒咒,低著頭,再也不敢回言,讓唐僧到了樹下。那長老將鞭梢指著問道:「你是那家孩兒?因有甚事,吊在此間?說與我,好救你。」噫!分明他是個精靈,變化得這等,那師父卻是個肉眼凡胎,不能相識。还未曾坐得稳,只听又叫:「师父救人啊!」长老擡头看时,原来是个小孩童,赤条条的吊在树上。兜住缰,便骂行者道:「这泼猴多大惫懒,全无有一些儿善良之意,心心只是要撒泼行凶哩!我那般说叫唤的是个人声,他就千言万语,只嚷是妖怪。你看那树上吊的不是个人么?」大圣见师父怪下来了,却又觌面看见模样,一则做不得手脚,二来又怕念紧箍儿咒,低着头,再也不敢回言,让唐僧到了树下。那长老将鞭梢指着问道:「你是那家孩儿?因有甚事,吊在此间?说与我,好救你。」噫!分明他是个精灵,变化得这等,那师父却是个肉眼凡胎,不能相识。
逐句解 Line by line
還未曾坐得穩,只聽又叫:「師父救人啊!」
还未曾坐得稳,只听又叫:「师父救人啊!」
He had not yet settled firmly in the saddle when again he heard the cry: "Master, save me!"
還未曾坐得穩: 還 = hái ("yet"); complement 得 = de.
長老擡頭看時,原來是個小孩童,赤條條的吊在樹上。
长老擡头看时,原来是个小孩童,赤条条的吊在树上。
The elder, lifting his head to look, saw that it was a small child, stark naked, hung up in a tree.
長老: 長 = zhǎng. 赤條條 = "stark naked."
兜住韁,便罵行者道:「這潑猴多大憊懶,全無有一些兒善良之意,心心只是要撒潑行兇哩!
兜住缰,便骂行者道:「这泼猴多大惫懒,全无有一些儿善良之意,心心只是要撒泼行凶哩!
Reining in his horse, he at once cursed Pilgrim: "This wretched ape, what a heartless rogue — with not the least particle of goodness in him, his mind set on nothing but running riot and playing the ruffian!
一些兒: retroflex suffix 兒 = er on 些. 撒潑行兇: 行 = xíng.
我那般說叫喚的是個人聲,他就千言萬語,只嚷是妖怪。
我那般说叫唤的是个人声,他就千言万语,只嚷是妖怪。
When I told you the crying was a human voice, you went on with a thousand words and ten thousand, bawling only that it was a demon.
我那般說: deictic 那 = nà ("in that way").
你看那樹上吊的不是個人麼?」
你看那树上吊的不是个人么?」
Look there — isn't that a person hung up in the tree?"
你看那樹上: deictic 那 = nà. mechanical sandhi raises 不 to bú before 是 (4th tone), correctly.
大聖見師父怪下來了,卻又覿面看見模樣,一則做不得手腳,二來又怕念緊箍兒咒,低著頭,再也不敢回言,讓唐僧到了樹下。
大圣见师父怪下来了,却又觌面看见模样,一则做不得手脚,二来又怕念紧箍儿咒,低着头,再也不敢回言,让唐僧到了树下。
The Great Sage, seeing the Master had turned his blame on him, and moreover coming face to face with the thing's appearance — on the one hand unable to make a move, on the other afraid of the Tight-Fillet Spell — lowered his head and, not daring to answer again, let the Tang Priest ride up to the foot of the tree.
怪下來了: aspect 了 = le. 做不得手腳: 得 = dé ("cannot manage—"). 緊箍兒咒: retroflex suffix 兒 = er. 低著頭: durative 著 = zhe. 到了樹下: aspect 了 = le.
那長老將鞭梢指著問道:「你是那家孩兒?
那长老将鞭梢指着问道:「你是那家孩儿?
That elder, pointing with the tip of his whip, asked: "Whose child are you?
那長老: deictic 那 = nà; 長 = zhǎng. 將鞭梢: disposal 將 = jiāng; 指著: durative 著 = zhe. 那家孩兒: deictic 那 = nà; 孩兒 兒 = ér (standalone, "child").
因有甚事,吊在此間?
因有甚事,吊在此间?
For what reason are you hung up here?
因有甚事: 甚 = shèn ("what").
說與我,好救你。」
说与我,好救你。」
Tell me, that I may save you."
好救你 = "so that I may rescue you" — the Master's compassion fully engaged.
噫!
噫!
Ah!
噫 (yī): a narrator's interjection.
分明他是個精靈,變化得這等,那師父卻是個肉眼凡胎,不能相識。
分明他是个精灵,变化得这等,那师父却是个肉眼凡胎,不能相识。
Plainly he was a sprite, transformed to this likeness; but that Master, being of fleshly eyes and mortal frame, could not recognize him.
分明: 分 = fēn ("clearly"). 變化得: complement 得 = de. 那師父: deictic 那 = nà. 不能相識: mutual 相 = xiāng.
總評 Commentary
The trap closes at last. The child, now hung less than half a li off, is finally near enough for the Master to see plainly — and the sight overturns the whole preceding contest in an instant. What Wukong's warnings, tricks, and evasions had held at bay through five passages, the mere appearance of a bound, naked child accomplishes in a moment: Tripitaka's compassion, which the demon had identified from the start as the one exploitable weakness, is fully and helplessly engaged.
Wukong's silence is the passage's pivot. Caught between three impossibilities — he cannot strike the child under the Master's eye, he cannot explain what he knows in the time available, and he dares not provoke the Tight-Fillet Spell whose threat still hangs over him from the previous passage — he simply lowers his head and lets the Master ride to the foot of the tree. The narrator's aside (分明他是個精靈…那師父卻是個肉眼凡胎, "plainly a sprite… but that Master, of fleshly eyes and mortal frame, could not recognize him") states the arc's governing condition outright: the difference between Wukong's 火眼金睛 and Tripitaka's mortal sight is the whole space in which the demon operates. The Master, seeing only a child in need, begins to question him gently — and the child, given his opening, begins to spin the elaborate lie that fills the next passage.