Canonical Classics ← 第四十回
第四十回
yīngérhuàchánxīnluàn
yuándāoguīkōng

The Baby, Playing at Transformation, Throws the Chan-Mind into Chaos · Ape and Horse, the Sword-Crucible and Wood-Mother, Come to Naught

妖精定計
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

妖精定計 The Demon Lays His Scheme

huàfēnliǎngtóuquèshuōhóngguāngzhēnshìyāojīngshùniánqiánwénrénjiǎngdōngtángsēngwǎng西tiānjīngnǎishìjīnchánzhǎnglǎozhuǎnshēngshíshìxiūxíngdehǎorényǒurénchīkuàiròuyánshēngchángshòutiāntóngxiūzhāozhāozàishānjiānděnghòujīndàolezàibànkōngzhèngránguānkànzhǐjiànsāntángsēngwéizàishàngzhǔnbèizhèjīnglíngkuāzànjìndào:「hǎoshàngcáikànzhebáimiànpàngshànglezhēnshìtángcháoshèngsēngquèzěnmebèisānchǒushàngchízhùleshēnquánliǎnxiùzhíbīngyàoréndebānzhīshìyǒuyǎndexiǎngyīngrènleyàngxiǎngtángsēngderòuchī。」chényínbànshǎngxīnwènxīndejiāshāngliángdào:「ruòyàoshìérqínnéngjìnhuòzhěshànquèdàoshǒudànhǒngdexīnhuòdàizàishànnèishēngduànránleqiěxià。」huàfēnliǎngtóuquèshuōhóngguāngzhēnshìyāojīngshùniánqiánwénrénjiǎngdōngtángsēngwǎng西tiānjīngnǎishìjīnchánzhǎnglǎozhuǎnshēngshíshìxiūxíngdehǎorényǒurénchīkuàiròuyánshēngcháng寿shòutiāntóngxiūzhāozhāozàishānjiānděnghòujīndàolezàibànkōngzhèngránguānkànzhǐjiànsāntángsēngwéizàishàngzhǔnbèizhèjīnglíngkuāzànjìndào:「hǎoshàngcáikànzhebáimiànpàngshànglezhēnshìtángcháoshèngsēngquèzěnmebèisānchǒushàngchízhùleshēnquánliǎnxiùzhíbīngyàoréndebānzhīshìyǒuyǎndexiǎngyīngrènleyàngxiǎngtángsēngderòuchī。」chényínbànshǎngxīnwènxīndejiāshāngliángdào:「ruòyàoshìérqínnéngjìnhuòzhěshànquèdàoshǒudànhǒngdexīnhuòdàizàishànnèishēngduànránleqiěxià。」


逐句解 Line by line

huàfēnliǎngtóu huàfēnliǎngtóu

The tale divides in two.

話分兩頭 ("the tale divides in two"): a stock storyteller's formula for turning to a second thread — here, the demon's own vantage. = fēn.

quèshuōhóngguāngzhēnshìyāojīng quèshuōhóngguāngzhēnshìyāojīng

Now within that red glow there was indeed a demon.

真是個妖精: 真是 here plain "was truly, was indeed" (not a verse-tag).

shùniánqiánwénrénjiǎngdōngtángsēngwǎng西tiānjīngnǎishìjīnchánzhǎnglǎozhuǎnshēngshíshìxiūxíngdehǎorényǒurénchīkuàiròuyánshēngchángshòutiāntóngxiū shùniánqiánwénrénjiǎngdōngtángsēngwǎng西tiānjīngnǎishìjīnchánzhǎnglǎozhuǎnshēngshíshìxiūxíngdehǎorényǒurénchīkuàiròuyánshēngcháng寿shòutiāntóngxiū

Years before, he had heard people tell that the Tang Monk journeying west from the Eastern Land to fetch the scriptures was the reincarnation of the Elder Golden Cicada, a good man of ten lifetimes' cultivation, and that whoever ate a single morsel of his flesh would have his years prolonged and his life extended, enduring as long as Heaven and earth.

數年前: = shù ("several, a number of"). 聞得: = (attainment, "came to hear"). 金蟬長老: = zhǎng (elder). 延生長壽: = cháng ("long life"). 修行: = xíng.

zhāozhāozàishānjiānděnghòujīndàole zhāozhāozàishānjiānděnghòujīndàole

Day after day he had lain in wait among the mountains, and did not expect that this very day the Tang Monk had come.

朝朝: "day after day," read zhāo (morning), not cháo. 到了: aspect = le.

zàibànkōngzhèngránguānkànzhǐjiànsāntángsēngwéizàishàngzhǔnbèi zàibànkōngzhèngránguānkànzhǐjiànsāntángsēngwéizàishàngzhǔnbèi

He was up in the middle air, watching intently, and saw the three disciples hemming the Tang Priest round upon his horse, each of them at the ready.

那半空裡: deictic = . 觀看: = guān (to observe).

zhèjīnglíngkuāzànjìndào:「hǎoshàng zhèjīnglíngkuāzànjìndào:「hǎoshàng

This sprite, praising them without end, said: "Fine monks!

誇讚不盡: = jìn (GLOBAL_PY); mechanical sandhi (computed on 盡's base tone) leaves the preceding as , which is correct here (盡 base tone is 3rd, so 不 stays ).

cáikànzhebáimiànpàngshànglezhēnshìtángcháoshèngsēngquèzěnmebèisānchǒushàngchízhùle cáikànzhebáimiànpàngshànglezhēnshìtángcháoshèngsēngquèzěnmebèisānchǒushàngchízhùle

Just now I watched a white-faced, plump monk astride a horse — truly that holy monk of the Tang court; but how has he come to be guarded so close by three ugly monks?

看著: durative = zhe. 騎了馬: aspect = le. 那唐朝聖僧: deictic = ; 唐朝 = cháo (court/dynasty). 住了: aspect = le.

shēnquánliǎnxiùzhíbīngyàoréndebān shēnquánliǎnxiùzhíbīngyàoréndebān

Every one of them flexing his fists and rolling back his sleeves, each gripping a weapon, as though they meant to fight somebody.

似乎: = (GLOBAL_PY, "as if"). 打的一般: the subordinating here read de (pypinyin mis-defaults ); 一般 sandhi 一 → before (1st tone).

Ah!

(): an interjection of sudden realization.

zhīshìyǒuyǎndexiǎngyīngrènle zhīshìyǒuyǎndexiǎngyīngrènle

I don't know which of them has the sharp eyes — one that must have recognized me.

那個有眼力的: interrogative 那個 = nǎ gè ("which one"). 想應: = yīng ("surely, must"). 認得: = ("to recognize").

yàngxiǎngtángsēngderòuchī。」 yàngxiǎngtángsēngderòuchī。」

In this guise, there'll be no thinking of eating that Tang Monk's flesh."

似此模樣: = ("like this, in this manner"; pypinyin mis-defaults shì — overridden to the GLOBAL sì, since this is not the 似的 collocation). 想得: = . 那唐僧: deictic = .

chényínbànshǎngxīnwènxīndejiāshāngliángdào:「ruòyàoshìérqínnéngjìn chényínbànshǎngxīnwènxīndejiāshāngliángdào:「ruòyàoshìérqínnéngjìn

Musing a good while, he took counsel with himself, heart questioning heart: "If I would seize him by force, there is no getting near;

以心問心的: subordinating = de. 莫能得近: = ("able to get near").

huòzhěshànquèdàoshǒu huòzhěshànquèdàoshǒu

but if by some show of goodness I beguile him, then he may yet come into my hands.

卻到得手: = ("to get, attain"; 到得手 = "comes within reach").

dànhǒngdexīnhuòdàizàishànnèishēngduànránle dànhǒngdexīnhuòdàizàishànnèishēngduànránle

Only let me lure his heart into confusion, and while I work my goodness upon him, I'll seize him for certain.

但哄得他: complement = de ("lure him into—"). 拿了: aspect = le.

qiěxià。」 qiěxià。」

Now let me go down and play him a little game."

戲他一戲 ("play him a game"): the reduplicated verb frames the deception as sport; 一 sandhi → before the 4th-tone .


總評 Commentary

The narrative turns, with the storyteller's formula 話分兩頭 ("the tale divides in two"), to the demon's own point of view — a device the novel uses sparingly and to great effect. We learn the demon's motive (the flesh of the ten-times-reborn Golden Cicada confers immortality, the standard prize that draws every demon in the book toward Tripitaka) and, more interestingly, we watch him reason. His inner monologue is a small study in tactical intelligence: brute force is ruled out because the disciples guard the Master too closely; someone among them, he suspects, has already recognized him for what he is. The solution he arrives at — 以善迷他, to beguile through a show of goodness — is precisely calibrated to the pilgrims' one exploitable weakness.

That weakness is Tripitaka's compassion, and the demon has read it exactly. The whole Red Boy arc turns on this insight: that the Tang Monk's defining virtue, his readiness to pity and rescue the helpless, is also the crack through which a clever enemy can reach him. The plan the demon settles on — to appear as a bound, weeping child — weaponizes mercy itself, and the chapter's title, 嬰兒戲化禪心亂 ("the Baby, playing at transformation, throws the Chan-mind into chaos"), names the strategy in advance. The demon's closing phrase, 戲他一戲 ("play him a little game"), casts the coming cruelty as sport, and sets the tone of mock-innocence the disguised child will maintain through the passages that follow.