Canonical Classics ← 第四十回
第四十回
yīngérhuàchánxīnluàn
yuándāoguīkōng

The Baby, Playing at Transformation, Throws the Chan-Mind into Chaos · Ape and Horse, the Sword-Crucible and Wood-Mother, Come to Naught

枯松訴苦
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

枯松訴苦 A Tale of Woe by the Withered Pine

yāojiànxiàwènyuènòngtóuyǎnzhōngqínlèijiàodào:「shīyashān西yǒutiáosōngjiànjiànbiānyǒuzhuāngcūnshìrénjiāgōnggōngxìnghóngzhǐyīnguǎngjīnyínjiāwànhùnmínghuànzuòhóngbǎiwànniánlǎoguīshìjiǔjiāchǎnjìnláirénshìshēchǐjiājiànfèigǎimínghuànzuòhóngshíwànzhuānjiéjiāoháojiéjiāngjīnyínjièfàngzěnzhīzhīrénshèpiànleaběnguīlehóngshìfēnwénjièjièjīnyínrénshēnpínjiéchéngxiōngdǎngmínghuǒzhízhàngbáishāshàngménjiāngcáijìnqíngjiéqīnshālejiànqīnyǒuxiēyánguǎijiāngzuòshénmezhàirénshíjiéqīnshěbàozàihuáiāiāizhànjīngjīnggēnsuízéikòudàoshānzhōngyòuyàoshāduōkuīqīnāigàomiǎnjiàodāoxiàshēnwángquèjiāngshéngzidiàozàishùshàngzhǐjiàodòngèérxiēzéijiāngqīnzhīlüèwǎnglezàidiàosānsāngèngméirénláixíngzǒuzhīshìxiūjīnshēnglǎoshīruòkěnshěbēijiùmìnghuíjiājiùdiǎnshēnmàimìngchóuxièshīēn使shǐhuángshāgàimiàngènggǎnwàng。」yāojiànxiàwènyuènòngtóuyǎnzhōngqínlèijiàodào:「shīyashān西yǒutiáosōngjiànjiànbiānyǒuzhuāngcūnshìrénjiāgōnggōngxìnghóngzhǐyīn广guǎngjīnyínjiāwànhùnmínghuànzuòhóngbǎiwànniánlǎoguīshìjiǔjiāchǎnjìnláirénshìshēchǐjiājiànfèigǎimínghuànzuòhóngshíwànzhuānjiéjiāoháojiéjiāngjīnyínjièfàngzěnzhīzhīrénshèpiànleaběnguīlehóngshìfēnwénjièjièjīnyínrénshēnpínjiéchéngxiōngdǎngmínghuǒzhízhàngbáishāshàngménjiāngcáijìnqíngjiéqīnshālejiànqīnyǒuxiēyánguǎijiāngzuòshénmezhàirénshíjiéqīnshěbàozài怀huáiāiāizhànjīngjīnggēnsuízéikòudàoshānzhōngyòuyàoshāduōkuīqīnāigàomiǎnjiàodāoxiàshēnwángquèjiāngshéngzidiàozàishùshàngzhǐjiàodòng饿èérxiēzéijiāngqīnzhīlüèwǎnglezàidiàosānsāngèngméirénláixíngzǒuzhīshìxiūjīnshēnglǎoshīruòkěnshěbēijiùmìnghuíjiājiùdiǎnshēnmàimìngchóuxièshīēn使shǐhuángshāgàimiàngènggǎnwàng。」


逐句解 Line by line

yāojiànxiàwènyuènòngtóuyǎnzhōngqínlèijiàodào:「shīyashān西yǒutiáosōngjiànjiànbiānyǒuzhuāngcūnshìrénjiā yāojiànxiàwènyuènòngtóuyǎnzhōngqínlèijiàodào:「shīyashān西yǒutiáosōngjiànjiànbiānyǒuzhuāngcūnshìrénjiā

That demon, seeing him inquire below, played the fraud all the more, tears brimming in his eyes, and cried: "Master! Off to the west of the mountain there's a Withered Pine Gully, and on the far side of the gully a hamlet — I'm a person of that place.

那妖魔: deictic = . 眼中噙淚: = zhōng. 澗那邊: deictic = . 我是那裡人家: deictic 那裡 = nà lǐ ("that place," referring back to the named gully).

gōnggōngxìnghóngzhǐyīnguǎngjīnyínjiāwànhùnmínghuànzuòhóngbǎiwàn gōnggōngxìnghóngzhǐyīn广guǎngjīnyínjiāwànhùnmínghuànzuòhóngbǎiwàn

My grandfather was surnamed Hong, and because he had amassed vast gold and silver, a family fortune of untold thousands, his nickname was Hong-Hundred-Thousand.

混名 = "nickname." 紅百萬 ("Hong-Hundred-Thousand"): a wealth-boast name.

niánlǎoguīshìjiǔjiāchǎn niánlǎoguīshìjiǔjiāchǎn

Being old, he had long since departed the world, and the family estate passed to my father.

歸世 = "passed away." 遺與我父: = ("to bequeath").

jìnláirénshìshēchǐjiājiànfèigǎimínghuànzuòhóngshíwàn jìnláirénshìshēchǐjiājiànfèigǎimínghuànzuòhóngshíwàn

Of late, with extravagant living, the family fortune gradually wasted away, and his name was changed to Hong-Ten-Thousand.

奢侈 = "extravagance." 紅十萬: the diminished fortune reflected in the reduced boast-name.

zhuānjiéjiāoháojiéjiāngjīnyínjièfàng zhuānjiéjiāoháojiéjiāngjīnyínjièfàng

Single-mindedly he took up with stalwarts of the four roads, lending out his gold and silver in hopes of interest.

專一: here lexical (专一 "single-minded"), NOT the sandhi-varying 一. 將金銀: disposal = jiāng.

zěnzhīzhīrénshèpiànleaběnguī zěnzhīzhīrénshèpiànleaběnguī

But who could know that those unregistered vagabonds, having swindled it all away, left both principal and interest gone for good.

那無籍之人: deictic = . 設騙了去: aspect = le.

lehóngshìfēnwénjiè lehóngshìfēnwénjiè

My father then swore a great oath to lend not a single cash.

發了洪誓: aspect = le. 分文不借: = fēn ("a cash, a farthing"); mechanical sandhi leaves as before (4th... 借 jiè is 4th tone, so 不→bú)

jièjīnyínrénshēnpínjiéchéngxiōngdǎngmínghuǒzhízhàngbáishāshàngménjiāngcáijìnqíngjié jièjīnyínrénshēnpínjiéchéngxiōngdǎngmínghuǒzhízhàngbáishāshàngménjiāngcáijìnqíngjié

Those who'd borrowed the gold and silver, being poor and at wits' end, banded into a savage gang, and with open torches and bared cudgels murdered their way to our gate in broad daylight, plundering all our goods and silks;

那借金銀人: deictic = . 將我財帛: disposal = jiāng. 盡情劫擄: = jìn (GLOBAL).

qīnshāle qīnshāle

they killed my father;

把我父親殺了: aspect = le. The false child's lie escalates to murder to sharpen the pathos.

jiànqīnyǒuxiēyánguǎijiāngzuòshénmezhàirén jiànqīnyǒuxiēyánguǎijiāngzuòshénmezhàirén

and seeing that my mother had some beauty, they carried her off to be a stronghold-wife.

拐將去: disposal = jiāng. 甚麼壓寨夫人: = shén; 壓寨夫人 = "stronghold-mistress," a bandit chief's forced consort.

shíjiéqīnshěbàozàihuáiāiāizhànjīngjīnggēnsuízéikòu shíjiéqīnshěbàozài怀huáiāiāizhànjīngjīnggēnsuízéikòu

At that time my mother could not bear to leave me, and clasped me in her arms, weeping bitterly and trembling in terror, as she followed the bandits.

那時節: deictic = . 捨不得我: = ("could not bear to—").

dàoshānzhōngyòuyàoshā dàoshānzhōngyòuyàoshā

Not expecting it, they came to this mountain and meant to kill me as well.

到此山中: = zhōng.

duōkuīqīnāigàomiǎnjiàodāoxiàshēnwángquèjiāngshéngzidiàozàishùshàngzhǐjiàodòngèér duōkuīqīnāigàomiǎnjiàodāoxiàshēnwángquèjiāngshéngzidiàozàishùshàngzhǐjiàodòng饿èér

Thanks to my mother's piteous pleading, I was spared death beneath the blade, but they bound me with cords to this tree and left me only to freeze and starve.

免教我: causative = jiào. 卻將繩子: disposal = jiāng; suffix = zi. 只教凍餓而死: causative = jiào.

xiēzéijiāngqīnzhīlüèwǎngle xiēzéijiāngqīnzhīlüèwǎngle

Those bandits carried my mother off — I don't know where they've taken her.

那些賊: deictic = . 將我母親: disposal = jiāng. 掠往那裡去了: interrogative 那裡 = nà lǐ ("where"); aspect = le.

zàidiàosānsāngèngméirénláixíngzǒu zàidiàosānsāngèngméirénláixíngzǒu

I've hung here three days and three nights now, with not a single soul passing by.

更沒一個人: = gèng ("not one at all"). 來行走: = xíng.

zhīshìxiūjīnshēnglǎoshī zhīshìxiūjīnshēnglǎoshī

I don't know from what former life's cultivation it is that I've met with you, old Master, this present life.

那世裡: interrogative = ("which former life"); read . 得遇: = ("come to meet").

ruòkěnshěbēijiùmìnghuíjiājiùdiǎnshēnmàimìngchóuxièshīēn ruòkěnshěbēijiùmìnghuíjiājiùdiǎnshēnmàimìngchóuxièshīēn

If you would but show great compassion and save my life, bring me home, I'd pledge myself in bondage and sell my very life to repay your kindness, Master.

救我一命: 一 sandhi → before (4th tone). 典身賣命 = "pawn my body, sell my life."

使shǐhuángshāgàimiàngènggǎnwàng。」 使shǐhuángshāgàimiàngènggǎnwàng。」

Even were yellow sand to cover my face, I would never dare forget."

更不敢忘也: = gèng ("never at all"); mechanical sandhi leaves as before (3rd tone). 黃沙蓋面 = a vow unto death.


總評 Commentary

The false child's tale is a small masterpiece of manipulation, and the narrative gives it in full — a two-generation family saga of wealth won and lost (Hong-Hundred-Thousand declined to Hong-Ten-Thousand), a father's fatal oath against further lending, a bandit raid in broad daylight, a murdered father, an abducted mother, and a child left bound to freeze. Every element is calibrated to Tripitaka's sympathies: it is a story of innocence destroyed by greed and violence, precisely the kind of suffering the Master's compassion is least able to pass by, and it culminates in a vow of lifelong, self-selling gratitude that flatters the rescuer even as it begs.

What makes the passage more than a set-piece of villainy is its cunning as rhetoric. The demon does not merely claim distress; he builds a world — named places (Withered Pine Gully), named persons (the grandfather's and father's boast-names), a plausible economic mechanism (usury gone wrong) — because specificity is what makes a lie credible. The technique is the same one the book elsewhere admires in Wukong's own impostures, turned now to evil ends. And the deepest irony is embedded in the geography: the Withered Pine Gully (枯松澗) the child names as his home is, as the reader will learn, the demon's actual lair, the Fire-Cloud Cave's own ravine. The lie is stitched through with truth, which is exactly what makes it work — on the Master, and very nearly on Bajie, who in the next passage will take up the child's cause against Wukong's warnings.