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繁體 Traditional
Reader's edition
枯松訴苦
A Tale of Woe by the Withered Pine
那妖魔見他下問,越弄虛頭,眼中噙淚,叫道:「師父呀,山西去有一條枯松澗,澗那邊有一莊村,我是那裡人家。我祖公公姓紅,只因廣積金銀,家私巨萬,混名喚做紅百萬。年老歸世已久,家產遺與我父。近來人事奢侈,家私漸廢,改名喚做紅十萬。專一結交四路豪傑,將金銀借放,希圖利息。怎知那無籍之人,設騙了去啊,本利無歸。我父發了洪誓,分文不借。那借金銀人,身貧無計,結成兇黨,明火執杖,白日殺上我門,將我財帛盡情劫擄;把我父親殺了;見我母親有些顏色,拐將去做甚麼壓寨夫人。那時節,我母親捨不得我,把我抱在懷裡,哭哀哀,戰兢兢,跟隨賊寇。不期到此山中,又要殺我。多虧母親哀告,免教我刀下身亡,卻將繩子吊我在樹上,只教凍餓而死。那些賊將我母親不知掠往那裡去了。我在此已吊三日三夜,更沒一個人來行走。不知那世裡修積,今生得遇老師父。若肯捨大慈悲,救我一命回家,就典身賣命,也酬謝師恩。即使黃沙蓋面,更不敢忘也。」那妖魔见他下问,越弄虚头,眼中噙泪,叫道:「师父呀,山西去有一条枯松涧,涧那边有一庄村,我是那里人家。我祖公公姓红,只因广积金银,家私巨万,混名唤做红百万。年老归世已久,家产遗与我父。近来人事奢侈,家私渐废,改名唤做红十万。专一结交四路豪杰,将金银借放,希图利息。怎知那无籍之人,设骗了去啊,本利无归。我父发了洪誓,分文不借。那借金银人,身贫无计,结成凶党,明火执杖,白日杀上我门,将我财帛尽情劫掳;把我父亲杀了;见我母亲有些颜色,拐将去做甚么压寨夫人。那时节,我母亲舍不得我,把我抱在怀里,哭哀哀,战兢兢,跟随贼寇。不期到此山中,又要杀我。多亏母亲哀告,免教我刀下身亡,却将绳子吊我在树上,只教冻饿而死。那些贼将我母亲不知掠往那里去了。我在此已吊三日三夜,更没一个人来行走。不知那世里修积,今生得遇老师父。若肯舍大慈悲,救我一命回家,就典身卖命,也酬谢师恩。即使黄沙盖面,更不敢忘也。」
逐句解 Line by line
那妖魔見他下問,越弄虛頭,眼中噙淚,叫道:「師父呀,山西去有一條枯松澗,澗那邊有一莊村,我是那裡人家。
那妖魔见他下问,越弄虚头,眼中噙泪,叫道:「师父呀,山西去有一条枯松涧,涧那边有一庄村,我是那里人家。
That demon, seeing him inquire below, played the fraud all the more, tears brimming in his eyes, and cried: "Master! Off to the west of the mountain there's a Withered Pine Gully, and on the far side of the gully a hamlet — I'm a person of that place.
那妖魔: deictic 那 = nà. 眼中噙淚: 中 = zhōng. 澗那邊: deictic 那 = nà. 我是那裡人家: deictic 那裡 = nà lǐ ("that place," referring back to the named gully).
我祖公公姓紅,只因廣積金銀,家私巨萬,混名喚做紅百萬。
我祖公公姓红,只因广积金银,家私巨万,混名唤做红百万。
My grandfather was surnamed Hong, and because he had amassed vast gold and silver, a family fortune of untold thousands, his nickname was Hong-Hundred-Thousand.
混名 = "nickname." 紅百萬 ("Hong-Hundred-Thousand"): a wealth-boast name.
年老歸世已久,家產遺與我父。
年老归世已久,家产遗与我父。
Being old, he had long since departed the world, and the family estate passed to my father.
歸世 = "passed away." 遺與我父: 遺 = yí ("to bequeath").
近來人事奢侈,家私漸廢,改名喚做紅十萬。
近来人事奢侈,家私渐废,改名唤做红十万。
Of late, with extravagant living, the family fortune gradually wasted away, and his name was changed to Hong-Ten-Thousand.
奢侈 = "extravagance." 紅十萬: the diminished fortune reflected in the reduced boast-name.
專一結交四路豪傑,將金銀借放,希圖利息。
专一结交四路豪杰,将金银借放,希图利息。
Single-mindedly he took up with stalwarts of the four roads, lending out his gold and silver in hopes of interest.
專一: 一 here lexical yī (专一 "single-minded"), NOT the sandhi-varying 一. 將金銀: disposal 將 = jiāng.
怎知那無籍之人,設騙了去啊,本利無歸。
怎知那无籍之人,设骗了去啊,本利无归。
But who could know that those unregistered vagabonds, having swindled it all away, left both principal and interest gone for good.
那無籍之人: deictic 那 = nà. 設騙了去: aspect 了 = le.
我父發了洪誓,分文不借。
我父发了洪誓,分文不借。
My father then swore a great oath to lend not a single cash.
發了洪誓: aspect 了 = le. 分文不借: 分 = fēn ("a cash, a farthing"); mechanical sandhi leaves 不 as bù before 借 (4th... 借 jiè is 4th tone, so 不→bú)
那借金銀人,身貧無計,結成兇黨,明火執杖,白日殺上我門,將我財帛盡情劫擄;
那借金银人,身贫无计,结成凶党,明火执杖,白日杀上我门,将我财帛尽情劫掳;
Those who'd borrowed the gold and silver, being poor and at wits' end, banded into a savage gang, and with open torches and bared cudgels murdered their way to our gate in broad daylight, plundering all our goods and silks;
那借金銀人: deictic 那 = nà. 將我財帛: disposal 將 = jiāng. 盡情劫擄: 盡 = jìn (GLOBAL).
把我父親殺了;
把我父亲杀了;
they killed my father;
把我父親殺了: aspect 了 = le. The false child's lie escalates to murder to sharpen the pathos.
見我母親有些顏色,拐將去做甚麼壓寨夫人。
见我母亲有些颜色,拐将去做甚么压寨夫人。
and seeing that my mother had some beauty, they carried her off to be a stronghold-wife.
拐將去: disposal 將 = jiāng. 甚麼壓寨夫人: 甚 = shén; 壓寨夫人 = "stronghold-mistress," a bandit chief's forced consort.
那時節,我母親捨不得我,把我抱在懷裡,哭哀哀,戰兢兢,跟隨賊寇。
那时节,我母亲舍不得我,把我抱在怀里,哭哀哀,战兢兢,跟随贼寇。
At that time my mother could not bear to leave me, and clasped me in her arms, weeping bitterly and trembling in terror, as she followed the bandits.
那時節: deictic 那 = nà. 捨不得我: 得 = dé ("could not bear to—").
不期到此山中,又要殺我。
不期到此山中,又要杀我。
Not expecting it, they came to this mountain and meant to kill me as well.
到此山中: 中 = zhōng.
多虧母親哀告,免教我刀下身亡,卻將繩子吊我在樹上,只教凍餓而死。
多亏母亲哀告,免教我刀下身亡,却将绳子吊我在树上,只教冻饿而死。
Thanks to my mother's piteous pleading, I was spared death beneath the blade, but they bound me with cords to this tree and left me only to freeze and starve.
免教我: causative 教 = jiào. 卻將繩子: disposal 將 = jiāng; suffix 子 = zi. 只教凍餓而死: causative 教 = jiào.
那些賊將我母親不知掠往那裡去了。
那些贼将我母亲不知掠往那里去了。
Those bandits carried my mother off — I don't know where they've taken her.
那些賊: deictic 那 = nà. 將我母親: disposal 將 = jiāng. 掠往那裡去了: interrogative 那裡 = nà lǐ ("where"); aspect 了 = le.
我在此已吊三日三夜,更沒一個人來行走。
我在此已吊三日三夜,更没一个人来行走。
I've hung here three days and three nights now, with not a single soul passing by.
更沒一個人: 更 = gèng ("not one at all"). 來行走: 行 = xíng.
不知那世裡修積,今生得遇老師父。
不知那世里修积,今生得遇老师父。
I don't know from what former life's cultivation it is that I've met with you, old Master, this present life.
那世裡: interrogative 那 = nà ("which former life"); read nǎ. 得遇: 得 = dé ("come to meet").
若肯捨大慈悲,救我一命回家,就典身賣命,也酬謝師恩。
若肯舍大慈悲,救我一命回家,就典身卖命,也酬谢师恩。
If you would but show great compassion and save my life, bring me home, I'd pledge myself in bondage and sell my very life to repay your kindness, Master.
救我一命: 一 sandhi → yí before 命 (4th tone). 典身賣命 = "pawn my body, sell my life."
即使黃沙蓋面,更不敢忘也。」
即使黄沙盖面,更不敢忘也。」
Even were yellow sand to cover my face, I would never dare forget."
更不敢忘也: 更 = gèng ("never at all"); mechanical sandhi leaves 不 as bù before 敢 (3rd tone). 黃沙蓋面 = a vow unto death.
總評 Commentary
The false child's tale is a small masterpiece of manipulation, and the narrative gives it in full — a two-generation family saga of wealth won and lost (Hong-Hundred-Thousand declined to Hong-Ten-Thousand), a father's fatal oath against further lending, a bandit raid in broad daylight, a murdered father, an abducted mother, and a child left bound to freeze. Every element is calibrated to Tripitaka's sympathies: it is a story of innocence destroyed by greed and violence, precisely the kind of suffering the Master's compassion is least able to pass by, and it culminates in a vow of lifelong, self-selling gratitude that flatters the rescuer even as it begs.
What makes the passage more than a set-piece of villainy is its cunning as rhetoric. The demon does not merely claim distress; he builds a world — named places (Withered Pine Gully), named persons (the grandfather's and father's boast-names), a plausible economic mechanism (usury gone wrong) — because specificity is what makes a lie credible. The technique is the same one the book elsewhere admires in Wukong's own impostures, turned now to evil ends. And the deepest irony is embedded in the geography: the Withered Pine Gully (枯松澗) the child names as his home is, as the reader will learn, the demon's actual lair, the Fire-Cloud Cave's own ravine. The lie is stitched through with truth, which is exactly what makes it work — on the Master, and very nearly on Bajie, who in the next passage will take up the child's cause against Wukong's warnings.