Canonical Classics ← 第四十回
第四十回
yīngérhuàchánxīnluàn
yuándāoguīkōng

The Baby, Playing at Transformation, Throws the Chan-Mind into Chaos · Ape and Horse, the Sword-Crucible and Wood-Mother, Come to Naught

妖精再變
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

妖精再變 The Demon Transforms Once More

quèshuōyāojīngzàishānliánjiàolesānshēnggèngréndàoxīnzhōngliángdào:「děngtángsēngzàiwàngjiànshàngsānquèzěnmezhèbànshǎngháidàoxiǎngshìchāoxiàle。」dǒudǒushēntuōleshéngsuǒyòuzònghóngguāngshàngkōngzàikànjuésūnshèngyǎngmiànhuíguānshíshìyāoguàiyòutángsēngcuōzhejiǎotuīxiàláidào:「xiōngmenyāojīngyòulái。」huāngdejièshāsēngchígùnjiāngtángsēngyòuwéizàizhōngjiānquèshuōyāojīngzàishānliánjiàolesānshēnggèngréndàoxīnzhōngliángdào:「děngtángsēngzàiwàngjiànshàngsānquèzěnmezhèbànshǎngháidàoxiǎngshìchāoxiàle。」dǒudǒushēntuōleshéngsuǒyòuzònghóngguāngshàngkōngzàikànjuésūnshèngyǎngmiànhuíguānshíshìyāoguàiyòutángsēngcuōzhejiǎotuīxiàláidào:「xiōngmenyāojīngyòulái。」huāngdejièshāsēngchígùnjiāngtángsēngyòuwéizàizhōngjiān


逐句解 Line by line

quèshuōyāojīngzàishānliánjiàolesānshēnggèngréndào quèshuōyāojīngzàishānliánjiàolesānshēnggèngréndào

Now that demon, having called out three or four times in a row from the mountain slope, found that no one came at all.

那妖精: deictic = . 連叫了三四聲: aspect = le. 更無人到: = gèng ("still, at all").

xīnzhōngliángdào:「děngtángsēngzàiwàngjiànshàngsānquèzěnmezhèbànshǎngháidào xīnzhōngliángdào:「děngtángsēngzàiwàngjiànshàngsānquèzěnmezhèbànshǎngháidào

He pondered in his heart: "I've been waiting for the Tang Monk right here — I watched him come within less than three li — so how is it that after all this while he still hasn't arrived?

心中思量: = zhōng; = liáng ("to reckon," 思量). 離不上三里: mechanical sandhi leaves as before (3rd tone), correctly. 這半晌還不到: = hái; mechanical sandhi raises to before (4th tone).

xiǎngshìchāoxiàle。」 xiǎngshìchāoxiàle。」

He must have taken a shortcut down some other road."

想是抄下路去了: aspect = le. 抄下路 = "took a shortcut path."

dǒudǒushēntuōleshéngsuǒyòuzònghóngguāngshàngkōngzàikàn dǒudǒushēntuōleshéngsuǒyòuzònghóngguāngshàngkōngzàikàn

He gave his body a shake, slipped free of the ropes, loosed the red glow once more, and rose into the air to look again.

抖一抖身軀: 一 sandhi → before (3rd tone). 脫了繩索: aspect = le.

juésūnshèngyǎngmiànhuíguānshíshìyāoguàiyòutángsēngcuōzhejiǎotuīxiàláidào:「xiōngmenyāojīngyòulái。」 juésūnshèngyǎngmiànhuíguānshíshìyāoguàiyòutángsēngcuōzhejiǎotuīxiàláidào:「xiōngmenyāojīngyòulái。」

Unawares, the Great Sage, turning his face up to look back, recognized him for a monster, and again seized the Tang Priest by the leg and pushed him down off the horse, saying: "Brothers, careful, careful — that demon has come again!"

不覺: = jué ("perceive," unawares). 回觀: = guān. 識得: = ("recognize"). 撮著腳: durative = zhe. 仔細 (x2): = . 那妖精: deictic = .

huāngdejièshāsēngchígùnjiāngtángsēngyòuwéizàizhōngjiān huāngdejièshāsēngchígùnjiāngtángsēngyòuwéizàizhōngjiān

In a fluster Eight Rules and Sha Monk, each gripping rake and staff, hemmed the Tang Priest round in their midst again.

慌得: complement = de. 那八戒: deictic = . 將唐僧: disposal coverb = jiāng. 圍護在中間: = zhōng.


總評 Commentary

The narrative crosses back to the demon, and the crossing is itself the joke: he has been calling into an empty mountain, baffled that his quarry, whom he watched approach within three li, has simply failed to arrive. His reasoning — the Tang Monk must have taken a shortcut — is wrong in its particulars (it was Wukong's spell, not a shortcut) but correct in its conclusion, that his prey has slipped him. The moment lets the reader enjoy, from the predator's side, the success of Wukong's trick that the previous passage conveyed only obliquely.

The demon's response is to escalate by repetition: shed the ropes, take to the air, find the party again, and re-hang himself for a fresh attempt. And on the pilgrims' side the scene replays almost verbatim — Wukong recognizing the monster mid-air, seizing the Master's leg, pushing him off the horse, the disciples closing ranks with rake and staff — the same defensive tableau as at the red cloud's first appearance in Batch 2. The near-repetition is deliberate craft: the cycle of cry, dodge, and re-approach is being wound tighter each turn, the demon undeterred, Wukong's tricks buying less and less time. The reader feels the pattern accelerating toward the point where the Master's patience, and Wukong's evasions, must finally give way.