棒槍鏖戰 Cudgel and Spear in Pitched Battle
正講處,只聽得那山坡下鑼鼓齊鳴,喊聲振地。原來是兕大王帥眾精靈來趕行者。行者見了,叫道:「好好好,正合吾意。列位請坐,待老孫再去捉他。」好大聖,舉鐵棒劈面迎來,喝道:「潑魔那裡走!看棍!」那怪使槍支住,罵道:「賊猴頭!著實無禮。你怎麼白晝劫吾物件?」行者道:「我把你這個不知死的孽畜!你倒弄圈套白晝搶奪我物,那件兒是你的?不要走,吃老爺一棍!」那怪物掄槍隔架。這一場好戰:正讲处,只听得那山坡下锣鼓齐鸣,喊声振地。原来是兕大王帅众精灵来赶行者。行者见了,叫道:「好好好,正合吾意。列位请坐,待老孙再去捉他。」好大圣,举铁棒劈面迎来,喝道:「泼魔那里走!看棍!」那怪使枪支住,骂道:「贼猴头!着实无礼。你怎么白昼劫吾物件?」行者道:「我把你这个不知死的孽畜!你倒弄圈套白昼抢夺我物,那件儿是你的?不要走,吃老爷一棍!」那怪物抡枪隔架。这一场好战:
逐句解 Line by line
Just as they were talking, there came from below the mountain slope a clashing of gongs and drums together, and a shouting that shook the ground.
正講處: the 正…處 frame, "just at the point of —"; 處 = chù. 只聽得: 得 = dé. Deictic 那山坡: 那 = nà.
It was the Rhinoceros King, leading out his host of sprites in pursuit of Pilgrim.
兕大王 — 兕 (sì) is the one-horned wild bovine of the classics (虎兕出於柙, Analects 16). The demon's true form, revealed at the chapter's end, is Lord Lao's blue ox; the title keeps the animal in view from the start. 帥眾: 帥 = shuài, used for 率, "to lead."
Pilgrim saw them and cried: "Good, good, good — this falls out just as I would have it. Be seated, my lords, and let Old Monkey go and take him."
見了: 了 = le. 列位 = "you gentlemen," the polite plural address to the assembled gods. 正合吾意 = "falls in exactly with my intention."
The fine Great Sage raised his iron cudgel and came on straight in the monster's face, roaring: "Where do you think you are going, wretched fiend? Mind the cudgel!"
那裡走 is rhetorical, not locative: 那 = nǎ, "where —?" 看棍: 看 = kàn; the formulaic warning cry that precedes the stroke, like 看刀 or 看箭. 劈面 = "full in the face." 喝道: 喝 = hè ("to shout"), never the hē of drinking.
The monster fended him off with his spear and cursed him: "Thieving ape's head! This is downright insolence.
Deictic 那怪: 那 = nà. 著實: 著 = zhuó in this lexicalized adverb, "downright, in very truth." 支住 = "to prop, to parry."
"How dare you plunder my goods in broad daylight?"
白晝 = "broad daylight"; the phrase returns in Pilgrim's retort, where the charge is thrown straight back. 物件 = "articles, gear."
Pilgrim said: "Why, you accursed beast, too dull to know your own death is upon you!
我把你這個… is the vituperative frame of vernacular abuse, left grammatically unfinished — the verb is swallowed by the insult. 孽畜: 畜 = chù (the noun "beast"), not the verb xù.
"It is you who work a snare-ring and seize my things in broad daylight — which of them is yours? Don't run: take a rod from your lord and master!"
你倒弄圈套: 倒 = dào, the adversative ("you, on the contrary—"), not the dǎo of 打倒 above. 那件兒 is interrogative: 那 = nǎ ("which"), with the suffix 兒 = er. 圈套 puns exactly: the ring (圈) is literally a snare (圈套).
The monster swung up his spear and warded off the blow.
Deictic 那怪物: 那 = nà. 隔架 = "to block and parry," the standard verb closing a challenge exchange and opening the set-piece verse.
It was a fine fight:
The verse tag takes its own unflagged segment. 一 before 場 (chǎng, third tone) sandhis to yì on the mechanical rule.
The Great Sage put forth his fierce might; / the fiend would neither yield nor bend.
The set-piece opens in five-syllable lines and shifts to seven at the third couplet. The rhyme is the 尤 class and holds throughout: 柔 休 頭 流 愁 頭 擻 遊 籌 休. 順柔 = "to submit and soften."
The two houses matched their valour together; / which of them would consent to break off?
那個肯干休 is rhetorical: 那 = nǎ ("which one —?"). 干休 = "to let the matter rest"; in the traditional orthography 干 is gān throughout (干戈, 何干, 若干) — the gàn of "to do" is written 幹. 兩家 is the vernacular "the two parties" of a contest, not "two households."
This one's iron rod was like a dragon's tail; / that one's long spear was like a python's head.
The 這一個…那一個 frame is the standard antiphonal device of combat verse, pairing the two fighters clause by clause down the poem. Deictic 那 = nà; 長槍: 長 = cháng ("long"), not zhǎng.
This one's rod came in a play of strokes like the sounding wind; / that one's spear held its fierce guard like running water.
解數 is a term of art from martial practice — a set sequence of moves, a form: 解 = xiè (not jiě), 數 = shù (the noun). The pair 風響 / 水流 sets sound against motion.
One saw only the coloured mists hanging dense, the ridges darkened; / the auspicious clouds massed thick, the woodlands sunk in gloom.
Deictic 那 = nà. 朦朦 and 靉靆 are both binomes of obscured light — the second an old poetic word for banked cloud. The battle darkens the landscape as it goes: a convention of the form.
The birds that filled the sky all stayed their wings; / the wolves and vermin of the four wilds drew in their heads.
盡縮頭: 盡 = jìn ("one and all"), the corpus-wide reading; the concessive jǎn sense is written 儘. 狼蟲 = "wolves and crawling things," a fixed pair for wild beasts.
On that side the little imps raised their war-cry; / on this side Pilgrim shook himself to the work.
Deictic 那陣上: 那 = nà. 這壁廂 ("on this side") answers 那陣上; the poem now sets the two camps against each other, having set the two weapons.
One iron rod, and no man to match it, / has beaten its way ten thousand miles about the West.
一條: 一 sandhis to yì before 條 (tiáo, second tone). The couplet is Pilgrim's credential, and it prepares the long autobiographical poem he will recite later in this same chapter.
That shaft of a long spear is a true opponent, / that has held the Golden Helm forever and is reckoned first among them.
Deictic 那 = nà; 長槍: 長 = cháng. 稱上籌: 稱 = chēng ("to be reckoned"), 上籌 "the top tally." On 金兜 see the note to the passage.
Meeting like this, there can be no fair parting; / till high and low are seen, they swear not to give over.
相遇: 相 = xiāng (mutual). 無好散: 散 = sàn, the verb "to break up, to part." 不見高低 — "until it is seen which is higher" — closes the poem on the terms of the contest, which the next passage will leave unsettled.
The exchange of abuse before the fight is worth reading closely, because both sides are arguing about property. The demon's charge is theft in broad daylight (白晝); Pilgrim throws the same phrase straight back, and adds the question that settles the moral ledger of the whole arc — 那件兒是你的, "which of these things is yours?" Everything in the cave was taken with the ring. The demon is a receiver of stolen goods complaining of burglary, and the chapter's ending will complete the joke: the ring itself is stolen property, lifted from Lord Lao's own treasury by a servant who had eaten an elixir pill and fallen asleep.
The battle verse is a standard set-piece of the form, but a well-made one. It opens in five-syllable lines and expands to seven; it runs the 這一個…那一個 antiphon down four couplets, pairing rod against spear, stroke against guard, sound against water; it then widens to the landscape, where birds stay their wings and beasts pull in their heads, and finally to the two camps, before closing on the vow not to part until the matter is decided. The rhyme is a single 尤-class series throughout. One textual point: at 永鎮金兜稱上籌 the Sìdétáng text writes the place-name with a graph composed of 山 over-and-beside 兜 which has no Unicode codepoint; the Wikisource transcription prints 兜 with an editorial note, and that is what is encoded here, at all eight occurrences in the chapter.