Canonical Classics ← 第四十三回
第四十三回
hēiyāonièqínsēng
西yánglóngzhuōtuóhuí

A Black-River Fiend Carries the Monk Off · A Western-Ocean Dragon-Prince Catches the Alligator and Returns

金箍勒頸 童子皈依
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

金箍勒頸 童子皈依 The Gold Fillet Bites; the Boy Submits

quèshuōniànlebiànquècáizhùkǒuyāojīngjiùténgleyòuzhèngxìngshēnkànchùjǐngxiàngshǒushàngdōushìjīnlēideténgtòng便biànjiùchúershíxiǎngtuìdedòngfēnháozhèbǎobèishìjiànròushēnggēnyuèyuètòngxíngzhěxiàodào:「guāiguāikǒngyǎngdàijǐngquānzhuótóuli。」tóngwényányòushēngfánnǎojiùchāoqiāngláiwàngxíngzhěluànxíngzhěshǎnshēnzàihòumiànjiào:「niànzhòuniànzhòu。」jiāngyángliǔzhīerzhànlediǎngānjiāngjiàoshēng:「!」zhǐjiàndiūleqiāngshuāngshǒuzhǎngdāngxiōngzàinéngkāifàngzhìjīnliúleguānyīnniǔtóngkāideshǒudeqiāngfāngzhīshìshēnwēiméinàicáitóuxiàbàiquèshuōniànlebiànquècáizhùkǒuyāojīngjiùténgleyòuzhèngxìngshēnkànchùjǐngxiàngshǒushàngdōushìjīnlēideténgtòng便biànjiùchúershíxiǎngtuìdedòngfēnháozhèbǎobèishìjiànròushēnggēnyuèyuètòngxíngzhěxiàodào:「guāiguāikǒngyǎngdàijǐngquānzhuótóuli。」tóngwényányòushēngfánnǎojiùchāoqiāngláiwàngxíngzhěluànxíngzhěshǎnshēnzàihòumiànjiào:「niànzhòuniànzhòu。」jiāngyángliǔzhīerzhànlediǎngānjiāngjiàoshēng:「!」zhǐjiàndiūleqiāngshuāngshǒuzhǎngdāngxiōngzàinéngkāifàngzhìjīnliúleguānyīnniǔtóngkāideshǒudeqiāngfāngzhīshìshēnwēiméinàicáitóuxiàbài


逐句解 Line by line

quèshuōniànlebiànquècáizhùkǒuyāojīngjiùténgle quèshuōniànlebiànquècáizhùkǒuyāojīngjiùténgle

Now the Bodhisattva recited the words several times over and only then fell silent, whereupon the fiend's pain at once subsided.

yòuzhèngxìngshēnkànchùjǐngxiàngshǒushàngdōushìjīnlēideténgtòng便biànjiùchúershíxiǎngtuìdedòngfēnháo yòuzhèngxìngshēnkànchùjǐngxiàngshǒushàngdōushìjīnlēideténgtòng便biànjiùchúershíxiǎngtuìdedòngfēnháo

Coming to himself and rising to look, he found gold fillets clasped about his neck and upon his hands and feet, biting into him so that they hurt; yet when he set to strip the rings away, he could not budge them so much as a hair's breadth.

zhèbǎobèishìjiànròushēnggēnyuèyuètòng zhèbǎobèishìjiànròushēnggēnyuèyuètòng

For once these treasures met the flesh they took root there, and the more he clawed at them the more they pained him.

xíngzhěxiàodào:「guāiguāikǒngyǎngdàijǐngquānzhuótóuli。」 xíngzhěxiàodào:「guāiguāikǒngyǎngdàijǐngquānzhuótóuli。」

Pilgrim laughed and said, 'My dear little darling — the Bodhisattva feared you might not be reared to full growth, and so has fitted you with a neck-ring and a pair of bracelets!'

tóngwényányòushēngfánnǎojiùchāoqiāngláiwàngxíngzhěluàn tóngwényányòushēngfánnǎojiùchāoqiāngláiwàngxíngzhěluàn

Hearing this, the boy fell again into a rage, snatched up his spear, and thrust wildly at Pilgrim.

xíngzhěshǎnshēnzàihòumiànjiào:「niànzhòuniànzhòu。」 xíngzhěshǎnshēnzàihòumiànjiào:「niànzhòuniànzhòu。」

Pilgrim dodged aside in haste and, taking his stand behind the Bodhisattva, cried out, 'Recite the spell! Recite the spell!'

jiāngyángliǔzhīerzhànlediǎngānjiāngjiàoshēng:「!」 jiāngyángliǔzhīerzhànlediǎngānjiāngjiàoshēng:「!」

The Bodhisattva dipped her willow spray in a drop of sweet dew, flicked it toward him, and called aloud, 'Join!'

「合!」 snaps his palms together; it puns on 合掌, the palms-joined gesture of reverence (añjali).

zhǐjiàndiūleqiāngshuāngshǒuzhǎngdāngxiōngzàinéngkāifàng zhǐjiàndiūleqiāngshuāngshǒuzhǎngdāngxiōngzàinéngkāifàng

At once he let fall the spear, and his two hands pressed palm to palm against his breast, never again to be opened.

zhìjīnliúleguānyīnniǔ zhìjīnliúleguānyīnniǔ

To this day there remains the pose called the Guanyin clasp, and this is the meaning of it.

觀音扭 — the 'Guanyin clasp,' a devotional hand-pose; the line offers a mock-etiology for it.

tóngkāideshǒudeqiāngfāngzhīshìshēnwēiméinàicáitóuxiàbài tóngkāideshǒudeqiāngfāngzhīshìshēnwēiméinàicáitóuxiàbài

The boy, unable to part his hands or to take up his spear, knew at last how deep and subtle was her power; and having no help for it, he bowed his head to the ground in obeisance.


總評 Commentary

The chapter opens where 42 ended, with Guanyin sealing the golden bands on the Red Boy. Pilgrim's mockery — recasting the instruments of restraint as a fond parent's 頸圈鐲頭 (neck-ring and bracelets) — is the novel's characteristic pivot from menace to domestic comedy. The command 「合!」 literalizes the Buddhist añjali (合掌), and the etiological aside on the 觀音扭 folds a devotional hand-pose into the narrative.