Canonical Classics ← 第四十九回
第四十九回
sānzàngyǒuzāichénshuǐzhái
guānyīnjiùnànxiànlán

Tripitaka Meets Disaster and Sinks in the Water Mansion · Guanyin, Saving from Peril, Appears with the Fish Basket

諸天不知
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

諸天不知 What Is She Making

xíngzhěgǎnqiǎngzhǐzǒuchūzhúlínduìzhòngzhūtiāndào:「jīnyòuzhòngzhìjiāshìlizěnmezuòliántáizhuāngshìhuānzàilínxiāomièzuòshén?」zhūtiāndào:「děngquèzhījīnzǎochūdòngwèicéngzhuāngshùjiùlínzhōngleyòujiàoděngzàijiēhòushèngránwèishèngyǒushì。」xíngzhěméinàizhǐděnghòuxíngzhěgǎnqiǎngzhǐzǒuchūzhúlínduìzhòngzhūtiāndào:「jīnyòuzhòngzhìjiāshìlizěnmezuòliántáizhuāngshìhuānzàilínxiāomièzuòshén?」zhūtiāndào:「děngquèzhījīnzǎochūdòngwèicéngzhuāngshùjiùlínzhōngleyòujiàoděngzàijiēhòushèngránwèishèngyǒushì。」xíngzhěméinàizhǐděnghòu


逐句解 Line by line

xíngzhěgǎnqiǎngzhǐzǒuchūzhúlínduìzhòngzhūtiāndào:「jīnyòuzhòngzhìjiāshìlizěnmezuòliántáizhuāngshìhuānzàilínxiāomièzuòshén?」 xíngzhěgǎnqiǎngzhǐzǒuchūzhúlínduìzhòngzhūtiāndào:「jīnyòuzhòngzhìjiāshìlizěnmezuòliántáizhuāngshìhuānzàilínxiāomièzuòshén?」

Pilgrim dared not press her, and could only walk out of the bamboo grove and say to the assembled Devas: "The Bodhisattva has set her household in order all over again today. Why does she not sit on the lotus dais, nor put on her adornments, nor look glad, but sits in the grove paring bamboo strips — what is it for?"

不敢強: read qiǎng, "to force, to press." 只得 ; 重置 zhòng, "to set up afresh" — here with a note of complaint, as if she were doing housework. 削篾 xiāo; 做甚 interrogative shén. The bisecting this speech is a modern editorial cut and the two halves are taken as one segment.

zhūtiāndào:「děngquèzhījīnzǎochūdòngwèicéngzhuāngshùjiùlínzhōngle zhūtiāndào:「děngquèzhījīnzǎochūdòngwèicéngzhuāngshùjiùlínzhōngle

The Devas said: "We do not know either. This morning she came out of her cave without dressing and went straight into the grove.

林中 zhōng; 去了 the aspect particle le. The attendants are as puzzled as Wukong — the Bodhisattva has told no one what she is about.

yòujiàoděngzàijiēhòushèngránwèishèngyǒushì。」 yòujiàoděngzàijiēhòushèngránwèishèngyǒushì。」

She also charged us to wait here and receive the Great Sage, so it must certainly be on the Great Sage's account."

又教 jiào, causative; 為大聖 wèi, purposive "on account of." The attendants can infer the errand is Wukong's, but not its instrument.

xíngzhěméinàizhǐděnghòu xíngzhěméinàizhǐděnghòu

Pilgrim, having no help for it, could only wait.

沒奈何: méi; 只得 . The line closes the interval — Wukong, who overrides every obstacle, here has no recourse but to sit and wait for a goddess to finish whittling.


總評 Commentary

The block extends the mystery by confirming that it is a mystery to everyone. Wukong's questions to the Devas are a small comic catalogue of everything wrong with the picture — 不坐蓮臺,不妝飾,不喜歡, she is not on her dais, not adorned, not looking glad — and he even reaches for a domestic simile, 重置家事, as though the Bodhisattva were rearranging the furniture. The attendants can tell him only that she rose undressed and went into the grove and that the business must be his; the purpose of the bamboo is withheld from her own court.

What the passage really registers is Wukong reduced to waiting. He is the one who springs past guards and crashes into groves, and the previous block showed him doing exactly that; here, twice sent out, he 沒奈何,只得等候 — has no help for it but to wait. The Bodhisattva's refusal to be hurried has domesticated even the Great Sage, and the chapter lets the delay stand, because the delay is the point: the basket must be finished before it can be used, and neither Wukong's rank nor his urgency can shorten the weaving.