Canonical Classics ← 第四十九回
第四十九回
sānzàngyǒuzāichénshuǐzhái
guānyīnjiùnànxiànlán

Tripitaka Meets Disaster and Sinks in the Water Mansion · Guanyin, Saving from Peril, Appears with the Fish Basket

黿背渡河
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

黿背渡河 The Crossing

dàolebiānchénjiāzhuānglǎoyòunánláibàisòngxíngzhějiàoqiānzàibái黿yuángàishàngqǐngtángsēngzhànzàidejǐngxiàngzuǒbiānshāsēngzhànzàiyòubiānjièzhànzàihòuxíngzhězhànzàiqiányòukǒng黿yuánjiěxiàjīntāozi穿chuānzàilǎo黿yuándezhīnèichěláixiàngtiáojiāngshéngquè使shǐzhījiǎozàigàishàngzhījiǎodēngzàitóushàngzhīshǒuzhízhetiěbàngzhīshǒuchězhejiāngshéngjiàodào:「lǎo黿yuánmànmànzǒuawāiwāierjiùzhàotóuxià。」lǎo黿yuándào:「gǎngǎn。」quèdēngkāishuǐmiànxíngpíngzhòngréndōuzàiànshàngfénxiāngkòutóudōuniànnánātuó」。zhèzhèngshìzhēnluóhànlínfánhuóchūxiànzhòngrénzhǐbàidewàngjiànxíngyǐngfānghuídàolebiānchénjiāzhuānglǎoyòunánláibàisòngxíngzhějiàoqiānzàibáiyuángàishàngqǐngtángsēngzhànzàidejǐngxiàngzuǒbiānshāsēngzhànzàiyòubiānjièzhànzàihòuxíngzhězhànzàiqiányòukǒngyuánjiěxiàjīntāozi穿chuānzàilǎoyuándezhīnèichěláixiàngtiáojiāngshéngquè使shǐzhījiǎozàigàishàngzhījiǎodēngzàitóushàngzhīshǒuzhízhetiěbàngzhīshǒuchězhejiāngshéngjiàodào:「lǎoyuánmànmànzǒuawāiwāierjiùzhàotóuxià。」lǎoyuándào:「gǎngǎn。」quèdēngkāishuǐmiànxíngpíngzhòngréndōuzàiànshàngfénxiāngkòutóudōuniànnánātuó」。zhèzhèngshìzhēnluóhànlínfánhuóchūxiànzhòngrénzhǐbàidewàngjiànxíngyǐngfānghuí


逐句解 Line by line

dàolebiānchénjiāzhuānglǎoyòunánláibàisòng dàolebiānchénjiāzhuānglǎoyòunánláibàisòng

When they came to the riverside, the old and young, men and women, of Chen Village came all together to bow them farewell.

到了 le. 拜送, to see off with bows. The whole village gathers to send the pilgrims across on the back of the turtle.

xíngzhějiàoqiānzàibái黿yuángàishàngqǐngtángsēngzhànzàidejǐngxiàngzuǒbiānshāsēngzhànzàiyòubiānjièzhànzàihòuxíngzhězhànzàiqián xíngzhějiàoqiānzàibáiyuángàishàngqǐngtángsēngzhànzàidejǐngxiàngzuǒbiānshāsēngzhànzàiyòubiānjièzhànzàihòuxíngzhězhànzàiqián

Pilgrim had the horse led up onto the white turtle's shell, set the Tang Monk standing at the left of the horse's neck, Sha Monk at the right, Eight Rules behind the horse, and himself in front of the horse.

jiào, causative; 白黿蓋 黿 (yuán); 行者 xíng ×2. The careful disposition of the four pilgrims and the horse across the shell is the block's visual centre.

yòukǒng黿yuánjiěxiàjīntāozi穿chuānzàilǎo黿yuándezhīnèichěláixiàngtiáojiāngshéng yòukǒngyuánjiěxiàjīntāozi穿chuānzàilǎoyuándezhīnèichěláixiàngtiáojiāngshéng

And fearing the turtle might play some trick, he loosed the tiger-sinew cord, ran it through the old turtle's nose, drew it up like a bridle-rein,

那黿 deictic ; 虎觔: = , jīn, sinew; 絛子 tāo, the suffix zi; 老黿 黿 (yuán). 虎觔絛, the tiger-sinew cord that girds Wukong's tiger-skin kilt — pressed here into service as a bridle for the turtle.

què使shǐzhījiǎozàigàishàngzhījiǎodēngzàitóushàngzhīshǒuzhízhetiěbàngzhīshǒuchězhejiāngshéng què使shǐzhījiǎozàigàishàngzhījiǎodēngzàitóushàngzhīshǒuzhízhetiěbàngzhīshǒuchězhejiāngshéng

then set one foot on the shell and one foot on its head, held his iron rod in one hand and the rein in the other,

登在頭上: dēng, to tread up onto. Two occurrences of , both durative zhe: 執著 rod and 扯著 rein. Wukong rides the turtle's head like a helmsman, rod in one hand and bridle in the other.

jiàodào:「lǎo黿yuánmànmànzǒuawāiwāierjiùzhàotóuxià。」 jiàodào:「lǎoyuánmànmànzǒuawāiwāierjiùzhàotóuxià。」

and called out: "Old turtle, go gently now. If you tilt so much as a hair, I'll give you one straight on the head."

老黿 黿 (yuán); 歪一歪兒 the diminutive suffix er; 照頭一下, one blow straight on the head. Even now Wukong keeps the threat ready — the trust of the previous block does not disarm him.

lǎo黿yuándào:「gǎngǎn。」 lǎoyuándào:「gǎngǎn。」

The old turtle said: "I dare not, I dare not."

老黿 黿 (yuán). The doubled 不敢 is meek compliance — the enormous creature entirely at the disposal of the rider on his head.

quèdēngkāishuǐmiànxíngpíng quèdēngkāishuǐmiànxíngpíng

He then spread out his four feet and trod the surface of the water as if walking on level ground.

蹬開: dēng, to push out with the feet; xíng. 踏水面如行平地, treading the water like level ground — the marvel of the crossing rendered in a single clause.

zhòngréndōuzàiànshàngfénxiāngkòutóudōuniànnánātuó」。 zhòngréndōuzàiànshàngfénxiāngkòutóudōuniànnánātuó」。

The people were all on the bank, burning incense and knocking their heads, all chanting "Homage to Amitābha Buddha."

Two occurrences of dōu: 都在岸上 and 都念. 南無阿彌陀佛: 南無 the liturgical ná mó, invariably read here as within the formula. The villagers' chant sends the pilgrims across.

zhèzhèngshìzhēnluóhànlínfánhuóchūxiànzhòngrénzhǐbàidewàngjiànxíngyǐngfānghuí zhèzhèngshìzhēnluóhànlínfánhuóchūxiànzhòngrénzhǐbàidewàngjiànxíngyǐngfānghuí

This is truly a case of a real arhat come down among mortals, a living bodhisattva made manifest. The people bowed until the forms could no longer be seen, and only then turned back — of which no more.

這正是 with the colon marks an inline proverbial couplet — 真羅漢臨凡,活菩薩出現 — which by the standing rule stays PROSE within this passage rather than opening a verse-showcase. 不題, the narrator's suspension formula, closes the crossing.


總評 Commentary

The crossing is staged with a precision that verges on the comic. Wukong arranges the four pilgrims and the horse across the turtle's back like pieces on a board — master at the horse's left, Sha Monk at the right, Bajie behind, himself in front — and then, not trusting the creature he has just vouched for, runs the tiger-sinew cord from his own kilt through the turtle's nose and rides its head like a helmsman, rod in one hand and bridle in the other. Having told his master two blocks ago that a talking creature will not lie, he keeps a rein on its nose and a threat over its head all the way across. The turtle's meek 不敢,不敢 completes the picture: the great forty-foot beast entirely governed by the small rider on its skull.

Against this comedy the block sets its one image of pure wonder — 踏水面如行平地, treading the surface of the water as though walking on level ground — and the villagers' response raises the whole scene into devotion. They burn incense, kowtow, and chant 南無阿彌陀佛 until the pilgrims pass out of sight, and the narrator supplies the couplet that names what they have witnessed: 真羅漢臨凡,活菩薩出現, a real arhat come among mortals, a living bodhisattva made manifest. The crossing that betrayed them on ice in the previous chapter is accomplished here on the back of a living creature, and the arc of the Tongtian closes on the water walked rather than the water fallen through.