誇說釘鈀 The Rake Extolled
八戒道:「好乖兒子,正是這等說。仔細看鈀。」妖邪道:「你原來是半路上出家的和尚。」八戒道:「我的兒,你真個有些靈感,怎麼就曉得我是半路出家的?」妖邪道:「你會使鈀,想是雇在那裡種園,把他釘鈀拐將來也。」八戒道:兒子,我這鈀,不是那築地之鈀。你看:八戒道:「好乖儿子,正是这等说。仔细看钯。」妖邪道:「你原来是半路上出家的和尚。」八戒道:「我的儿,你真个有些灵感,怎么就晓得我是半路出家的?」妖邪道:「你会使钯,想是雇在那里种园,把他钉钯拐将来也。」八戒道:儿子,我这钯,不是那筑地之钯。你看:
逐句解 Line by line
Eight Rules said: "Good obedient son, that is exactly how it should be put.
兒子: 兒 the person-morpheme ér, not the diminutive suffix er. 好乖兒子 is mock-paternal abuse — Bajie's habitual manoeuvre of assigning himself the senior generation.
Now mind the rake."
仔細 is read zǐ xì; pypinyin's default zǎi is wrong. This is the first occurrence of 仔 in the arc, and the reading is fixed here.
The fiend said: "So you are a monk who left the world halfway along the road."
半路上出家, "to take orders midway" — an idiom for a late or amateur convert, and here a jibe at Bajie's origins as a heavenly marshal turned hog.
Eight Rules said: "My son, you really have some numinous perception about you. How did you know at once that I left the world halfway?"
靈感 is turned back on the demon, whose assumed style it is. 曉得 得 dé; 我的兒 兒 ér.
The fiend said: "You know how to handle a rake — I suppose you were hired somewhere to till a garden, and made off with the man's muck-rake."
那裡 here is indefinite, "somewhere," and is read with the interrogative series, 那 nǎ, rather than as the deictic "there." 種園: 種 zhòng, the verb "to plant, to till," not the nominal zhǒng ("seed"). 拐將來 將 jiāng, directional.
Eight Rules said: "Son, this rake of mine is no earth-breaking rake such as you mean.
那築地之鈀: 那 anaphoric nà, pointing back at the demon's supposition. The 維基文庫 text opens this speech without the 「 used elsewhere; the punctuation is modern editorial and is left as it stands.
Look:
你看 with the colon — the verse-tag. The six couplets that follow are the rake's pedigree, and prose and verse form a single passage.
Great teeth cast like the claws of a dragon; / bright-plated, it takes the shape of a python.
遜金妝來: 妝 "adorned, plated." The compound 遜金 is obscure and appears to denote a gilding or inlay; the 世德堂本 form is encoded as it stands. 似 sì.
Should it meet a foe, a cold wind scatters abroad; / let it come to grips, and flames spring up.
相持: 相 xiāng, mutual — "to be locked together." The two lines answer the demon's own weather-magic with weather of the rake's making.
It can rid the holy monk of monsters, / and take fiends along the westward road.
與 in the sense of 為, "on behalf of." The middle couplet grounds the boast in office: the rake is an instrument of the pilgrimage, not a private weapon.
Swung, it stirs mist and cloud to blot out sun and moon; / plied, it opens a rosy light that shows all clear.
分明 分 fēn. The couplet is built on a reversal — first darkness, then illumination — which is the standard shape of these weapon-panegyrics.
Rake down Mount Tai, and a thousand tigers quail; / overturn the great sea, and ten thousand dragons start.
築倒: 倒 dǎo, "to topple" — distinct from the adversative dào of 我倒不曾吃你 in the preceding block. 太山 = 泰山.
Grant that your numinous power has arts of its own — / one stroke of this rake will open nine holes in you."
九窟窿, nine holes, one for each tooth of the rake. 須教: 教 jiào, causative. The verse ends where the boast began, on the number nine.
The fight stops so that the weapons can be introduced. This is a formal set piece of the vernacular novel — the 兵器誇耀, the boast of arms — and its logic is genealogical: a weapon is worth what its origin and its office are worth. The demon has just insulted the rake's origin by guessing it was stolen from a garden, a slur about class rather than about combat, and Bajie answers not by denying it but by producing a pedigree in verse.
The exchange leading up to the verse is conducted in mock-kinship. 好乖兒子, 我的兒, 兒子 — Bajie's standing rhetorical device is to install himself as father to whatever he is fighting, and the demon's counter is to place him socially: a hired gardener, a monk who took orders late. The verse itself moves through the expected stages — make, effect in battle, office in the pilgrimage, cosmic exaggeration — and closes on the rake's nine teeth, the same nine that will be answered by the nine petals of the mallet in the next passage.