Canonical Classics ← 第四十九回
第四十九回
sānzàngyǒuzāichénshuǐzhái
guānyīnjiùnànxiànlán

Tripitaka Meets Disaster and Sinks in the Water Mansion · Guanyin, Saving from Peril, Appears with the Fish Basket

誇說釘鈀
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition 含詞賦 With rhapsody

誇說釘鈀 The Rake Extolled

jièdào:「hǎoguāiérzizhèngshìzhèděngshuōkàn。」yāoxiédào:「yuánláishìbànshàngchūjiādeshàng。」jièdào:「deérzhēnyǒuxiēlínggǎnzěnmejiùxiǎoshìbànchūjiāde?」yāoxiédào:「huì使shǐxiǎngshìzàizhòngyuándīngguǎijiānglái。」jièdàoérzizhèshìzhùzhīkànjièdào:「hǎoguāiérzizhèngshìzhèděngshuōkàn。」yāoxiédào:「yuánláishìbànshàngchūjiādeshàng。」jièdào:「deérzhēnyǒuxiēlínggǎnzěnmejiùxiǎoshìbànchūjiāde?」yāoxiédào:「huì使shǐxiǎngshìzàizhòngyuándīngguǎijiānglái。」jièdàoérzizhèshìzhùzhīkàn

chǐzhùjiùlóngzhǎoxùnjīnzhuāngláimǎngxíng齿chǐzhùjiùlóngzhǎoxùnjīnzhuāngláimǎngxíng
ruòféngduìhánfēngdànxiāngchíhuǒyànshēngruòféngduìhánfēngdànxiāngchíhuǒyànshēng
néngshèngsēngchúguài西fāngshàngzhuōyāojīngnéngshèngsēngchúguài西fāngshàngzhuōyāojīng
lūndòngyānyúnzhēyuè使shǐkāixiácǎizhàofēnmínglūndòngyānyúnzhēyuè使shǐkāixiácǎizhàofēnmíng
zhùdǎotàishānqiānxiānfānhǎiwànlóngjīngzhùdǎotàishānqiānxiānfānhǎiwànlóngjīng
ráowēilíngyǒushǒuduànzhùjiàojiǔ窿lóng。」ráowēilíngyǒushǒuduànzhùjiàojiǔ窿lóng。」

逐句解 Line by line

jièdào:「hǎoguāiérzizhèngshìzhèděngshuō jièdào:「hǎoguāiérzizhèngshìzhèděngshuō

Eight Rules said: "Good obedient son, that is exactly how it should be put.

兒子: the person-morpheme ér, not the diminutive suffix er. 好乖兒子 is mock-paternal abuse — Bajie's habitual manoeuvre of assigning himself the senior generation.

kàn。」 kàn。」

Now mind the rake."

仔細 is read zǐ xì; pypinyin's default zǎi is wrong. This is the first occurrence of in the arc, and the reading is fixed here.

yāoxiédào:「yuánláishìbànshàngchūjiādeshàng。」 yāoxiédào:「yuánláishìbànshàngchūjiādeshàng。」

The fiend said: "So you are a monk who left the world halfway along the road."

半路上出家, "to take orders midway" — an idiom for a late or amateur convert, and here a jibe at Bajie's origins as a heavenly marshal turned hog.

jièdào:「deérzhēnyǒuxiēlínggǎnzěnmejiùxiǎoshìbànchūjiāde?」 jièdào:「deérzhēnyǒuxiēlínggǎnzěnmejiùxiǎoshìbànchūjiāde?」

Eight Rules said: "My son, you really have some numinous perception about you. How did you know at once that I left the world halfway?"

靈感 is turned back on the demon, whose assumed style it is. 曉得 ; 我的兒 ér.

yāoxiédào:「huì使shǐxiǎngshìzàizhòngyuándīngguǎijiānglái。」 yāoxiédào:「huì使shǐxiǎngshìzàizhòngyuándīngguǎijiānglái。」

The fiend said: "You know how to handle a rake — I suppose you were hired somewhere to till a garden, and made off with the man's muck-rake."

那裡 here is indefinite, "somewhere," and is read with the interrogative series, , rather than as the deictic "there." 種園: zhòng, the verb "to plant, to till," not the nominal zhǒng ("seed"). 拐將來 jiāng, directional.

jièdàoérzizhèshìzhùzhī jièdàoérzizhèshìzhùzhī

Eight Rules said: "Son, this rake of mine is no earth-breaking rake such as you mean.

那築地之鈀: anaphoric , pointing back at the demon's supposition. The 維基文庫 text opens this speech without the used elsewhere; the punctuation is modern editorial and is left as it stands.

kàn kàn

Look:

你看 with the colon — the verse-tag. The six couplets that follow are the rake's pedigree, and prose and verse form a single passage.

chǐzhùjiùlóngzhǎoxùnjīnzhuāngláimǎngxíng 齿chǐzhùjiùlóngzhǎoxùnjīnzhuāngláimǎngxíng

Great teeth cast like the claws of a dragon; / bright-plated, it takes the shape of a python.

遜金妝來: "adorned, plated." The compound 遜金 is obscure and appears to denote a gilding or inlay; the 世德堂本 form is encoded as it stands. .

ruòféngduìhánfēngdànxiāngchíhuǒyànshēng ruòféngduìhánfēngdànxiāngchíhuǒyànshēng

Should it meet a foe, a cold wind scatters abroad; / let it come to grips, and flames spring up.

相持: xiāng, mutual — "to be locked together." The two lines answer the demon's own weather-magic with weather of the rake's making.

néngshèngsēngchúguài西fāngshàngzhuōyāojīng néngshèngsēngchúguài西fāngshàngzhuōyāojīng

It can rid the holy monk of monsters, / and take fiends along the westward road.

in the sense of , "on behalf of." The middle couplet grounds the boast in office: the rake is an instrument of the pilgrimage, not a private weapon.

lūndòngyānyúnzhēyuè使shǐkāixiácǎizhàofēnmíng lūndòngyānyúnzhēyuè使shǐkāixiácǎizhàofēnmíng

Swung, it stirs mist and cloud to blot out sun and moon; / plied, it opens a rosy light that shows all clear.

分明 fēn. The couplet is built on a reversal — first darkness, then illumination — which is the standard shape of these weapon-panegyrics.

zhùdǎotàishānqiānxiānfānhǎiwànlóngjīng zhùdǎotàishānqiānxiānfānhǎiwànlóngjīng

Rake down Mount Tai, and a thousand tigers quail; / overturn the great sea, and ten thousand dragons start.

築倒: dǎo, "to topple" — distinct from the adversative dào of 我倒不曾吃你 in the preceding block. 太山 = 泰山.

ráowēilíngyǒushǒuduànzhùjiàojiǔ窿lóng。」 ráowēilíngyǒushǒuduànzhùjiàojiǔ窿lóng。」

Grant that your numinous power has arts of its own — / one stroke of this rake will open nine holes in you."

九窟窿, nine holes, one for each tooth of the rake. 須教: jiào, causative. The verse ends where the boast began, on the number nine.


總評 Commentary

The fight stops so that the weapons can be introduced. This is a formal set piece of the vernacular novel — the 兵器誇耀, the boast of arms — and its logic is genealogical: a weapon is worth what its origin and its office are worth. The demon has just insulted the rake's origin by guessing it was stolen from a garden, a slur about class rather than about combat, and Bajie answers not by denying it but by producing a pedigree in verse.

The exchange leading up to the verse is conducted in mock-kinship. 好乖兒子, 我的兒, 兒子 — Bajie's standing rhetorical device is to install himself as father to whatever he is fighting, and the demon's counter is to place him socially: a hired gardener, a monk who took orders late. The verse itself moves through the expected stages — make, effect in battle, office in the pilgrimage, cosmic exaggeration — and closes on the rake's nine teeth, the same nine that will be answered by the nine petals of the mallet in the next passage.