Canonical Classics ← 第四十九回
第四十九回
sānzàngyǒuzāichénshuǐzhái
guānyīnjiùnànxiànlán

Tripitaka Meets Disaster and Sinks in the Water Mansion · Guanyin, Saving from Peril, Appears with the Fish Basket

議定下水
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

議定下水 Settling Who Goes Down

quèshuōsūnshèngjièshāsēngchénlǎoláizhìbiāndào:「xiōngliǎngdìngxiānxiàshuǐ?」jièdào:「aliǎngshǒuduànjiànzěndeháiděixiānxiàshuǐ。」xíngzhědào:「mánxiánshuōruòshìshānyāojīngquányòngmenfèishuǐzhōngzhīshìjiùshìxiàhǎixíngjiāngyàoniǎnzheshuǐjuéhuòzhěbiànhuàshénmexièzhīxíngcáiruòshìbānniǎnjuéquèlūntiěbàng使shǐshéntōngyāoguàijiǔzhīliǎngnǎiguànshuǐzhīrénsuǒyàoliǎngxià。」shāsēngdào:「axiǎosuīshìdànzhīshuǐděngjiādōubiànzuòshénmeyànghuòshìtuózhefēnkāishuǐdàoxúnzháoyāoguàidecháoxuéxiānjìntīngtīngruòshìshīcéngshāngsǔnháizàimenhǎozhēngtǎojiǎruòshìzhèguàinònghuòzhěyǎnshīhuòzhěbèiyāochīleděngqiúzǎozǎodebiéxúndào?」xíngzhědào:「xiánshuōdeyǒumentuó?」jièàndào:「zhèhóuzizhīzhuōnòngleduōshǎojīnfānyuánláihuìshuǐděnglǎozhūtuózhuōnòngzhuōnòng。」dāizixiàodejiàodào:「tuó。」xíngzhějiùzhīyǒuquè便biànjiāngjiùdào:「shìhǎojìngháiyǒuxiē。」jièjiùbēizhequèshuōsūnshèngjièshāsēngchénlǎoláizhìbiāndào:「xiōngliǎngdìngxiānxiàshuǐ?」jièdào:「aliǎngshǒuduànjiànzěndeháiděixiānxiàshuǐ。」xíngzhědào:「mánxiánshuōruòshìshānyāojīngquányòngmenfèishuǐzhōngzhīshìjiùshìxiàhǎixíngjiāngyàoniǎnzheshuǐjuéhuòzhěbiànhuàshénmexièzhīxíngcáiruòshìbānniǎnjuéquèlūntiěbàng使shǐshéntōngyāoguàijiǔzhīliǎngnǎiguànshuǐzhīrénsuǒyàoliǎngxià。」shāsēngdào:「axiǎosuīshìdànzhīshuǐděngjiādōubiànzuòshénmeyànghuòshìtuózhefēnkāishuǐdàoxúnzháoyāoguàidecháoxuéxiānjìntīngtīngruòshìshīcéngshāngsǔnháizàimenhǎozhēngtǎojiǎruòshìzhèguàinònghuòzhěyǎnshīhuòzhěbèiyāochīleděngqiúzǎozǎodebiéxúndào?」xíngzhědào:「xiánshuōdeyǒumentuó?」jièàndào:「zhèhóuzizhīzhuōnòngleduōshǎojīnfānyuánláihuìshuǐděnglǎozhūtuózhuōnòngzhuōnòng。」dāizixiàodejiàodào:「tuó。」xíngzhějiùzhīyǒuquè便biànjiāngjiùdào:「shìhǎojìngháiyǒuxiē。」jièjiùbēizhe


逐句解 Line by line

quèshuōsūnshèngjièshāsēngchénlǎoláizhìbiāndào:「xiōngliǎngdìngxiānxiàshuǐ?」 quèshuōsūnshèngjièshāsēngchénlǎoláizhìbiāndào:「xiōngliǎngdìngxiānxiàshuǐ?」

We tell now how the Great Sage, with Eight Rules and Sha Monk, took leave of old Chen and came down to the river, where he said: "Brothers, settle it between you — which of you goes into the water first?"

The chapter opens with 卻說 rather than 話說: a resumptive formula that picks up an action already under way, the three having left the Chen household at the close of the previous chapter. 那一個 is interrogative — read , "which," not the deictic .

jièdào:「aliǎngshǒuduànjiànzěndeháiděixiānxiàshuǐ。」 jièdào:「aliǎngshǒuduànjiànzěndeháiděixiānxiàshuǐ。」

Eight Rules said: "Brother, neither of us has much skill to show. You had better be the one to go down first."

還得: here is the modal of necessity, děi, "must, need to" — not (attainment) or the complement particle de.

xíngzhědào:「mánxiánshuōruòshìshānyāojīngquányòngmenfèi xíngzhědào:「mánxiánshuōruòshìshānyāojīngquányòngmenfèi

Pilgrim said: "I'll not deceive you, worthy brothers. Were this a mountain fiend, I would not put you to the least trouble;

不瞞賢弟說 is a set conversational opener, "speaking frankly to you." Wukong's admission of a bounded competence is unusual enough to be marked by the formula.

shuǐzhōngzhīshì shuǐzhōngzhīshì

but in matters that belong to the water I cannot go.

去不得: the negative potential, read per the corpus ruling on 去得/去不得. 水中: zhōng, locative.

jiùshìxiàhǎixíngjiāngyàoniǎnzheshuǐjuéhuòzhěbiànhuàshénmexièzhīxíngcái jiùshìxiàhǎixíngjiāngyàoniǎnzheshuǐjuéhuòzhěbiànhuàshénmexièzhīxíngcái

Even to enter the sea or make my way along a river I must hold the water-repelling sign, or else change into the form of some fish or crab — only so can I go.

避水訣, the water-repelling hand-sign: a fixed item of Wukong's repertoire. 捻著 is durative, read zhe. 甚麼: shén.

ruòshìbānniǎnjuéquèlūntiěbàng使shǐshéntōngyāoguài ruòshìbānniǎnjuéquèlūntiěbàng使shǐshéntōngyāoguài

But holding the sign so, I cannot swing my iron rod, cannot work my transformations, cannot strike a fiend.

Three parallel negative potentials, 掄不得·使不得·打不得, all . This is the structural constraint the whole underwater sequence turns on: the sign and the rod cannot be held at once.

jiǔzhīliǎngnǎiguànshuǐzhīrénsuǒyàoliǎngxià。」 jiǔzhīliǎngnǎiguànshuǐzhīrénsuǒyàoliǎngxià。」

I have long known you two for men at home in water, and that is why I want you both to go down."

慣水之人, "those practised in water" — Bajie was Marshal of the Heavenly Reeds commanding the celestial river, and Sha Monk was exiled to the Flowing-Sand River; both are properly aquatic in a way Wukong is not.

shāsēngdào:「axiǎosuīshìdànzhīshuǐ shāsēngdào:「axiǎosuīshìdànzhīshuǐ

Sha Monk said: "Brother, your younger brother can go well enough, but there is no telling what lies on the bottom.

去得: , ability. Sha Monk's caution consistently balances Bajie's bravado throughout the arc.

děngjiādōu děngjiādōu

Let us all go down together.

dōu, the totalizing adverb "all," not (metropolis, or the onomatopoeic use).

biànzuòshénmeyànghuòshìtuózhefēnkāishuǐdàoxúnzháoyāoguàidecháoxuéxiānjìntīngtīng biànzuòshénmeyànghuòshìtuózhefēnkāishuǐdàoxúnzháoyāoguàidecháoxuéxiānjìntīngtīng

Change yourself into some shape, brother, or let me carry you on my back; we will part the water, seek out the fiend's lair, and you shall go in first to make inquiries.

Two readings of in one segment: 馱著 durative zhe, 尋著 resultative zháo ("find, locate"), fixed positionally. 甚麼 shén.

ruòshìshīcéngshāngsǔnháizàimenhǎozhēngtǎo ruòshìshīcéngshāngsǔnháizàimenhǎozhēngtǎo

If our master is unhurt and still there, we can press the attack with a will;

還在那裡: hái, "still"; 那裡 deictic , "there" — contrast the interrogative of the opening segment.

jiǎruòshìzhèguàinònghuòzhěyǎnshīhuòzhěbèiyāochīleděngqiúzǎozǎodebiéxúndào?」 jiǎruòshìzhèguàinònghuòzhěyǎnshīhuòzhěbèiyāochīleděngqiúzǎozǎodebiéxúndào?」

but if this monster's arts have drowned him, or the fiend has eaten him, there is no use in our striving — better to seek another road early. What do you say?"

(yǎn) is a variant graph for , "to drown"; the 世德堂本 form is kept. The proposal to abandon the pilgrimage is Sha Monk's, and is made without embarrassment — a recurring pragmatism in his speech.

xíngzhědào:「xiánshuōdeyǒu xíngzhědào:「xiánshuōdeyǒu

Pilgrim said: "What you say is reasonable, worthy brother.

說得有理: here is the complement particle de, introducing the descriptive 有理 — distinct from the potential of 去得 above.

mentuó?」 mentuó?」

Which of you will carry me?"

那個 interrogative again — . The question is a trap Bajie walks into willingly.

jièàndào:「zhèhóuzizhīzhuōnòngleduōshǎojīnfānyuánláihuìshuǐděnglǎozhūtuózhuōnòngzhuōnòng。」 jièàndào:「zhèhóuzizhīzhuōnòngleduōshǎojīnfānyuánláihuìshuǐděnglǎozhūtuózhuōnòngzhuōnòng。」

Eight Rules was secretly delighted, and said to himself: "This monkey has played who knows how many tricks on me. This time it turns out he cannot swim. Let old Hog carry him — and I'll play a trick on him too."

老豬, "old Hog," is Bajie's self-designation, formed on the pattern of Wukong's 老孫. The doubled 捉弄他捉弄 is verbal reduplication for casual, unserious action.

dāizixiàodejiàodào:「tuó。」 dāizixiàodejiàodào:「tuó。」

The blockhead called out with a broad grin: "Brother, I'll carry you."

獃子, the narrator's standing epithet for Bajie; the toneless suffix zi. 笑嘻嘻的 — the adverbial where later usage would write .

xíngzhějiùzhīyǒuquè便biànjiāngjiùdào:「shìhǎojìngháiyǒuxiē。」 xíngzhějiùzhīyǒuquè便biànjiāngjiùdào:「shìhǎojìngháiyǒuxiē。」

Pilgrim knew at once he was up to something, and met the scheme with a scheme of his own: "Right, that will do. You have more strength in your back than Wujing."

將計就計, "to turn another's plan against him" — jiāng, coverb. 膂力 (lǚ lì) is strength of the spine, physical carrying power; hái in the comparative, "more than."

jièjiùbēizhe jièjiùbēizhe

So Eight Rules took him up on his back.

here is the verb bēi, "to carry on the back" — distinct from the noun bèi ("the back") and from the 背馬 bèi ("saddle up") of the previous chapter. durative zhe.


總評 Commentary

The chapter opens on a problem of competence rather than of force. Wukong is unrivalled on land and in the air, but water constrains him absolutely: he can hold the 避水訣 or he can wield the rod, and the two are mutually exclusive. The novel returns to this device often — each pilgrim's mastery has a hard boundary, and it is the boundary, not the mastery, that generates plot. Here it produces the whole architecture of the following two blocks: Wukong must go down as a passenger and a spy rather than as a fighter, and the fighting must be delegated to the two disciples who are at home in the element.

The comedy is set running in the same breath. Bajie's 暗喜 — secret delight at discovering a limit in his tormentor — and his self-address as 老豬 against Wukong's 老孫 put the two on a level for the length of the descent. The doubled 也捉弄他捉弄 announces the trick before it is played, so that the reader watches for it rather than being surprised by it; the pleasure is in the execution, not the reversal. Sha Monk's contribution is the third register of the scene: he alone raises the possibility that the master is already dead and proposes, quite unsentimentally, that they look for another road.