Canonical Classics ← 第四十九回
第四十九回
sānzàngyǒuzāichénshuǐzhái
guānyīnjiùnànxiànlán

Tripitaka Meets Disaster and Sinks in the Water Mansion · Guanyin, Saving from Peril, Appears with the Fish Basket

老黿出水
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition 含詞賦 With rhapsody

老黿出水 The Old Turtle Appears

zhèngdōuzàibiānshàngchǎonàotīngzhōngjiāngāojiào:「sūnshèngyàochuánhuāfèirénjiācáisòngshīmenguò。」zhòngréntīngshuōxīnjīngdǎnxiǎodezǒulehuíjiādǎndezhànjīngjīngtānkànshuǐzuānchūguàiláidàozěnshēngyàngzhèngdōuzàibiānshàngchǎonàotīngzhōngjiāngāojiào:「sūnshèngyàochuánhuāfèirénjiācáisòngshīmenguò。」zhòngréntīngshuōxīnjīngdǎnxiǎodezǒulehuíjiādǎndezhànjīngjīngtānkànshuǐzuānchūguàiláidàozěnshēngyàng

fāngtóushénfēifánpǐnjiǔzhùlínghàoshuǐxiānfāngtóushénfēifánpǐnjiǔzhùlínghàoshuǐxiān
wěinéngyánqiānshòuqiánshēnjìngyǐnbǎichuānyuānwěinéngyánqiān寿shòuqiánshēnjìngyǐnbǎichuānyuān
fāntiàolàngchōngjiāngànxiàngcháofēnghǎibiānfāntiàolàngchōngjiāngànxiàngcháofēnghǎibiān
yǎnghánlíngzhēnyǒudàoduōniánfěngàilàitóu黿yuányǎnghánlíngzhēnyǒudàoduōniánfěngàilàitóuyuán

逐句解 Line by line

zhèngdōuzàibiānshàngchǎonàotīngzhōngjiāngāojiào:「sūnshèngyàochuánhuāfèirénjiācáisòngshīmenguò。」 zhèngdōuzàibiānshàngchǎonàotīngzhōngjiāngāojiào:「sūnshèngyàochuánhuāfèirénjiācáisòngshīmenguò。」

They were all in an uproar of haggling at the riverside when suddenly, from the middle of the river, came a loud cry: "Great Sage Sun, do not build a boat, do not waste the people's goods and money. I will carry you and your master across."

正都在 dōu; 聽得 ; 河中間 zhōng, jiān. The inside the cry is joined into one segment; the voice from midstream interrupts the boat-building and turns the crossing into something stranger.

zhòngréntīngshuōxīnjīngdǎnxiǎodezǒulehuíjiādǎndezhànjīngjīngtānkàn zhòngréntīngshuōxīnjīngdǎnxiǎodezǒulehuíjiādǎndezhànjīngjīngtānkàn

When the people heard it, every one of them took fright. The faint-hearted ran home; the bold stood watching in fear and trembling.

走了 le; 貪看 kàn. 戰兢兢, trembling — the villagers' alarm at a talking thing rising from the water they had so lately feared.

shuǐzuānchūguàiláidàozěnshēngyàng shuǐzuānchūguàiláidàozěnshēngyàng

In a moment, a monster bored up out of the water. Consider what it looked like:

那水裡 deictic . 你道怎生模樣 with the colon is the presentational verse-tag — the four couplets following describe the old turtle, and prose and verse form one passage.

fāngtóushénfēifánpǐnjiǔzhùlínghàoshuǐxiān fāngtóushénfēifánpǐnjiǔzhùlínghàoshuǐxiān

A square-headed numinous creature, no common kind; / by ninefold workings of the spirit, styled the Water Immortal.

號水仙: read hào, "to be styled, named" — pypinyin gives it correctly here, but the graph is on the watch, having read háo ("to howl") earlier in the chapter. 九助靈機, the ninefold aid of the numinous spring — an old attribute of the divine tortoise.

wěinéngyánqiānshòuqiánshēnjìngyǐnbǎichuānyuān wěinéngyánqiān寿shòuqiánshēnjìngyǐnbǎichuānyuān

Trailing his tail, he can draw out a thousand ages of life; / hiding his body, he lies quiet in the deeps of a hundred rivers.

曳尾, to drag the tail — an allusion to the Zhuangzi's tortoise that would rather drag its tail in the mud alive than be honoured dead. 千紀, a thousand ages; 百川淵, the deeps of the hundred rivers.

fāntiàolàngchōngjiāngànxiàngcháofēnghǎibiān fāntiàolàngchōngjiāngànxiàngcháofēnghǎibiān

Churning the waves, leaping the billows, he buffets the river-bank; / facing the sun, meeting the wind, he lies at the sea's edge.

向日朝風: read cháo, "to face toward." The couplet gives the turtle the two postures of his kind — violent in the water, basking at the margin.

yǎnghánlíngzhēnyǒudàoduōniánfěngàilàitóu黿yuán yǎnghánlíngzhēnyǒudàoduōniánfěngàilàitóuyuán

Nurturing his breath and holding the numen, he truly has the Way: / for many a year the powder-crusted, scabby-headed turtle.

癩頭黿: 黿 (yuán), the great soft-shelled turtle; 癩頭, scabby-headed. The verse ends by deflating its own grandeur — a creature of the Way, and also a mangy old river-turtle. The comedy is affectionate.


總評 Commentary

The old turtle's descriptive verse is built on a double register, dignified and homely at once, and it names its ancestry openly. 曳尾, trailing the tail, is a direct allusion to the parable in the Zhuangzi, where the sacred tortoise of Chu, its shell honoured on the altar, would rather be the live turtle dragging its tail in the mud; the line claims for this creature the Daoist preference for humble life over exalted death. The other attributes — the square head, the ninefold numinous workings, the thousand-year lifespan — belong to the ancient Chinese lore of the divine tortoise, the 神龜 of oracle and cosmogram.

And then the last line punctures all of it: 多年粉蓋癩頭黿, the powder-crusted, scabby-headed turtle of many years. The verse grants him the Way and calls him mangy in the same breath, and the incongruity is exactly the point — this is a genuine adept in the body of a river-turtle, and the chapter, which has just shown the Bodhisattva of Mercy barefoot and whittling, is entirely at home with sanctity in humble dress. The turtle's intervention also completes a piece of foreshadowing: the sign over the demon's gate read 水黿之第, the Mansion of the Water Turtle, and here at last is the turtle whose mansion it was, come to reclaim his part in the story.