旋風敗葉 Tossed Like A Fallen Leaf
那大聖飄飄蕩蕩,左沉不能落地,右墜不得存身。就如旋風翻敗葉,流水淌殘花。滾了一夜,直至天明,方才落在一座山上,雙手抱住一塊峰石。定性良久,仔細觀看,卻才認得是小須彌山。那大圣飘飘荡荡,左沉不能落地,右坠不得存身。就如旋风翻败叶,流水淌残花。滚了一夜,直至天明,方才落在一座山上,双手抱住一块峰石。定性良久,仔细观看,却才认得是小须弥山。
逐句解 Line by line
That Great Sage went drifting and tumbling. Sink to the left as he might, he could not reach the ground; drop to the right as he might, he could find no place to rest.
落 is luò throughout this chapter, not the là of leaving behind. The two parallel clauses use 不能 and 不得 for the same impossibility, and the second 得 is the dé of attainment, so its 不 takes mechanical bù against the base tone.
It was as when a whirlwind turns over a withered leaf, or running water carries off the last of the blossom.
淌 is tǎng, to flow or let flow. Both similes are of something light being moved by something that does not notice it — which is what has just happened to the Great Sage Equal to Heaven.
He rolled about the whole night, and only at daybreak did he come down at last on a mountain, where he caught hold of a crag with both arms.
滾了一夜 'rolled for a whole night'. The fan has carried him from dusk to dawn, which the next passage will convert into a distance. 石 is shí in 峰石.
When he had steadied himself a good while and looked carefully about, he recognised the place at last as the Little Sumeru Mountain.
仔細 takes 仔 as zǐ — pypinyin supplies zǎi, which belongs to the sense of a young animal. 定性 'to settle the nature', to compose oneself. 小須彌山 renders Sumeru, the world-mountain of Buddhist cosmology, in its lesser form.
The two similes are chosen to humiliate. A whirlwind turning over a dead leaf, running water carrying off fallen blossom — in both, the thing moved is weightless and the thing moving it is not paying attention. This is the Great Sage Equal to Heaven, who has fought the armies of the Jade Emperor.
The detail that makes it worse is the effort. He is not unconscious: he sinks left and cannot reach ground, drops right and finds nothing to rest on, and rolls about the whole night before dawn brings him down. The novel gives him the entire night of futile struggling, and then a crag to hold on to with both arms.
Recognising the place takes him a further moment of composing himself and looking carefully — 定性良久,仔細觀看 — which is the first time in the chapter he has had to work out where he is. For a character who normally crosses the world in a somersault, being lost is a novel condition.