Canonical Classics ← 第五十九回
第五十九回
tángsānzànghuǒyànshān
sūnxíngzhě調tiáojiāoshàn

Tripitaka's Road Is Blocked at the Mountain of Flames · Sun the Pilgrim Contrives the First Fetching of the Banana-Leaf Fan

公公請糕
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

公公請糕 Please Take The Cake

xíngzhěwényánchōushēnzǒumiànjiānggāosānzàngdào:「shīfàngxīnqiěniánjiāozháochīlegāoshuō。」zhǎnglǎojiēgāozàishǒuxiàngběnzháilǎozhědào:「gōnggōngqǐnggāo。」lǎozhědào:「jiādecháfànwèifènggǎnchīgāo?」xíngzhěwényánchōushēnzǒumiànjiānggāosānzàngdào:「shīfàngxīnqiěniánjiāozháochīlegāoshuō。」zhǎnglǎojiēgāozàishǒuxiàngběnzháilǎozhědào:「gōnggōngqǐnggāo。」lǎozhědào:「jiādecháfànwèifènggǎnchīgāo?」


逐句解 Line by line

xíngzhěwényánchōushēnzǒumiànjiānggāosānzàngdào:「shīfàngxīnqiěniánjiāozháochīlegāoshuō。」 xíngzhěwényánchōushēnzǒumiànjiānggāosānzàngdào:「shīfàngxīnqiěniánjiāozháochīlegāoshuō。」

Hearing this, Pilgrim turned away at once and went inside. Handing the cake to Tripitaka, he said, 'Master, set your mind at rest — don't go catching next year's panic today. Eat the cake, and I'll tell you.'

焦著 is a lexical unit, and takes the resultative zháo: to catch, to succumb to. It belongs with 著急 and 著慌, where the same graph in the same reading marks an emotional state taking hold of a person. here is not 'scorched' but 'burning with anxiety' — the reading the chapter itself confirms, since its only other is 心焦 at the woodcutter's 休得心焦, 'no need to fret'. 隔年 'a year off, far ahead': the whole phrase is 'do not let next year's panic catch hold of you now'. Read as durative zhe it would mean only fretting while doing something else, which loses the vernacular punch of catching a bad case of worry. is the disposal marker jiāng.

zhǎnglǎojiēgāozàishǒuxiàngběnzháilǎozhědào:「gōnggōngqǐnggāo。」 zhǎnglǎojiēgāozàishǒuxiàngběnzháilǎozhědào:「gōnggōngqǐnggāo。」

The Elder took the cake in his hand and said to the old man of the house, 'Sir, please take some cake.'

長老 zhǎnglǎo again for Tripitaka. 本宅老者 'the old man of this household' marks him as host. The cake, bought with a counterfeit coin, is now circulating as a courtesy.

lǎozhědào:「jiādecháfànwèifènggǎnchīgāo?」 lǎozhědào:「jiādecháfànwèifènggǎnchīgāo?」

The old man said, 'My own tea and rice have not yet been served — how should I dare eat your cake?'

The refusal is obligatory rather than sincere: a host who has not yet fed his guests cannot accept food from them. here is rhetorical, 'how should I dare', not a question about permission.


總評 Commentary

Pilgrim goes straight indoors with the cake, and his first act is to tell his master not to catch next year's panic today. 焦著 is vernacular and vivid — anxiety as something that takes hold of a person, the way 著急 and 著慌 use the same graph — and the needling is affectionate and habitual. He made the same complaint about three things in the morning and two at dusk a few passages earlier. It also does something practical: it stops Tripitaka from asking questions before Pilgrim has finished gathering answers.

The cake then becomes a courtesy. Tripitaka offers it to the old man; the old man refuses on the grounds that his own tea and rice have not yet been served. Both moves are obligatory and both know it. A guest cannot eat before he has been fed, and a host cannot accept food from a guest he has not yet fed.

There is a quiet joke underneath the etiquette that the novel does not point out. The object being passed round with such ceremony was bought a minute ago with a coin that is actually a monkey's hair. Elaborate courtesy is being performed over a fraudulent purchase, and nobody in the room is in a position to notice. Tripitaka, meanwhile, has been told not to panic and given something to eat, which is the whole of the management his disciple thinks he requires.