Canonical Classics ← 第四十一回
第四十一回
xīnyuánzāohuǒbài
bèiqín

The Mind-Ape Suffers Defeat by Fire · The Wood-Mother Is Seized by the Demon

泣訴師恩
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition 含詞賦 With rhapsody

泣訴師恩 Weeping for the Master

shāsēngchānzhexíngzhětóngdàosōnglínzhīxiàzuòdìngshǎoshíjiānquèdìngshénshùnzhǐzhùlèisāibiānyòujiào:「shīashāsēngchānzhexíngzhětóngdàosōnglínzhīxiàzuòdìngshǎoshíjiānquèdìngshénshùnzhǐzhùlèisāibiānyòujiào:「shīa

dāngniánchūtángyánqiánjiùtuōzāiyāngdāngniánchūtángyánqiánjiùtuōzāiyāng
sānshānliùshuǐzāozhàngwànqiānxīncùnchángsānshānliùshuǐzāozhàngwànqiānxīncùncháng
tuōzhāocānsuíhòucānchán宿huòlínzhuāngtuōzhāocānsuíhòucānchán宿huòlínzhuāng
xīnzhǐwàngchénggōngguǒjīnānzhītòngshòushāng?」xīnzhǐwàngchénggōngguǒjīnānzhītòngshòushāng?」

逐句解 Line by line

shāsēngchānzhexíngzhětóngdàosōnglínzhīxiàzuòdìng shāsēngchānzhexíngzhětóngdàosōnglínzhīxiàzuòdìng

Sha the Monk supported the Pilgrim, and together they went beneath the pine-wood and sat down.

沙僧攙著行者 ‘Sha supported the Pilgrim (攙 chān)’: 著 zhe (durative). 一同 (一 before 同 t2 → yì). A quiet prose opening to the lament.

shǎoshíjiānquèdìngshénshùnzhǐzhùlèisāibiān shǎoshíjiānquèdìngshénshùnzhǐzhùlèisāibiān

After a little while, when he had steadied his spirit and calmed his breath, he could not stop the tears dripping down his cheeks.

少時間 ‘after a little while’: 少 shǎo (‘a little’); 間 jiān. 定神順氣 ‘steadied spirit and calmed breath’. 止不住淚滴腮邊 ‘could not stop the tears (腮 sāi, cheek)’ (不 before 住 t4 → bú). Wukong's grief, recovered enough to weep.

yòujiào:「shīa yòujiào:「shīa

And he cried again: ‘Master! —

又叫 ‘cried again’: 叫 jiào. The prose lead into the lament that follows; the verse is the content of Wukong's cry.

dāngniánchūtángyánqiánjiùtuōzāiyāng dāngniánchūtángyánqiánjiùtuōzāiyāng

I recall those years of old, when we set out from Great Tang; before the cliff you saved me and freed me from calamity.

憶昔當年 ‘recalling that year of old’: 當 dāng (temporal). 巖前救我脫災殃 ‘before the cliff you saved me from calamity’ — Tripitaka's freeing of Wukong from beneath the Mountain of Five Phases (Ch.14). The 七律 lament opens with gratitude.

sānshānliùshuǐzāozhàngwànqiānxīncùncháng sānshānliùshuǐzāozhàngwànqiānxīncùncháng

Through three mountains and six waters we met with demon-snares; ten thousand hardships, a thousand toils, cut me to the inmost gut.

三山六水遭魔障 ‘three mountains, six waters, met demon-obstacles (魔障)’. 萬苦千辛割寸腸 ‘ten thousand pains, a thousand toils, cut the inch-gut (寸腸)’: 寸 cùn (the length-unit, here figurative for the innards). The pilgrimage's trials recalled.

tuōzhāocānsuíhòucānchán宿huòlínzhuāng tuōzhāocānsuíhòucānchán宿huòlínzhuāng

With alms-bowl at morning's meal, taking rich fare or poor; in Chan at dusk we lodged, now in a wood, now a hamlet.

托缽朝餐 ‘alms-bowl at the morning meal’: 朝 read zhāo (‘morning’, 朝餐暮宿 ‘eat at morning, lodge at dusk’), not the cháo default. 隨厚薄 ‘taking thick or thin (薄 bó)’. 參禪暮宿 ‘in Chan-practice lodging at dusk’: 參 cān (參禪 ‘to practise Chan’). The austere life of the road.

xīnzhǐwàngchénggōngguǒjīnānzhītòngshòushāng?」 xīnzhǐwàngchénggōngguǒjīnānzhītòngshòushāng?」

Single-minded I hoped to achieve the fruit of merit; how could I have known that today I would suffer such grievous hurt?

一心指望成功果 ‘single-mindedly hoped to achieve the merit-fruit’ (一 before 心 t1 → yì). 今日安知痛受傷 ‘how could [I] know today's grievous wound?’ The lament closes on the bitter reversal of the chapter's defeat.


總評 Commentary

Wukong's lament is a regulated 七律 (eight lines, four couplets) and a rare moment of the Great Sage's tenderness. Cradled by Sha after his near-death, he weeps not for himself but for the master — recalling how Tripitaka freed him from beneath the Mountain of Five Phases (巖前救我), the shared hardships of the road, and the austere pilgrim's life of alms-bowl and roadside Chan.

The closing couplet turns the gratitude to grief: ‘single-minded I hoped to achieve the fruit of merit — how could I have known that today I would suffer such hurt?’ The verse marks the chapter's emotional low point. The Great Sage, beaten and broken, can see no way forward by his own power — which is precisely what makes the turn to Guanyin, in the scene that follows, both necessary and humbling.