五車按五行 Arrayed by the Five Phases
八戒望見道:「哥哥,這妖精想是怕我們,推出車子,往那廂搬哩。」行者道:「不是,且看他放在那裡。」只見那小妖將車子按金、木、水、火、土安下,著五個看著,五個進去通報。那魔王問:「停當了?」答應:「停當了。」教取過槍來。有那一夥管兵器的小妖,著兩個擡出一桿丈八長的火尖槍,遞與妖王。妖王掄槍拽步,也無甚麼盔甲,只是腰間束一條錦繡戰裙,赤著腳,走出門前。八戒望见道:「哥哥,这妖精想是怕我们,推出车子,往那厢搬哩。」行者道:「不是,且看他放在那里。」只见那小妖将车子按金、木、水、火、土安下,着五个看着,五个进去通报。那魔王问:「停当了?」答应:「停当了。」教取过枪来。有那一伙管兵器的小妖,着两个擡出一杆丈八长的火尖枪,递与妖王。妖王抡枪拽步,也无甚么盔甲,只是腰间束一条锦绣战裙,赤着脚,走出门前。
逐句解 Line by line
Eight Rules, seeing it, said: ‘Brother, this monster must be afraid of us — he's rolling out his carts and moving house over that way.’
那 nà (那廂 ‘over that way’, deictic). 車子 chēzi, 子 the neutral suffix. Bajie's comic misreading of the demon's preparations sets up Wukong's correction.
The Pilgrim said: ‘Not so — just watch where he sets them.’
行者 xíng. 且看他 ‘just watch him’: 看 kàn. 那裡 here deictic ‘there’ (放在那裡 ‘where he puts them’) → 那 nà. 不是 (不 before 是 t4 → bú, mechanical).
They saw the little imps range the carts by metal, wood, water, fire, and earth, and set them down; five were left to keep watch over them, while five went in to report.
The five carts set 按金、木、水、火、土 (by the Five Phases) — the apparatus of the 三昧真火. 那 nà (那小妖); 將 jiāng, disposal coverb (將車子…安下 ‘took the carts and set them down’). 著五個看著: positional 著 — first 著 zhuó (causative ‘set/assign five’), second 著 zhe (durative in 看著 ‘watching’). 車子 子 suffix.
The demon king asked: ‘All in order?’
那 nà (那魔王). 停當 tíngdàng ‘ready, in order, settled’: 當 read dàng (the ‘proper/settled’ 4th-tone reading), not the dāng default. 了 sentence-final.
The answer came: ‘All in order.’
答應 dāyìng ‘to answer, reply’: 應 yìng (respond), not the yīng modal. 停當 again 當 dàng.
He bade them fetch his spear.
教 jiào, causative ‘bade (them) fetch’. A short bridging clause; no NT graphs beyond 教.
Of that band of imps in charge of the weapons, two were set to carry out a fire-tipped spear a full zhàng and eight in length, and it was handed to the demon king.
那 nà (那一夥). 著 zhuó, causative ‘set two to carry out’. 丈八長: 丈 zhàng (the length-unit, left untranslated) and 長 cháng ‘in length’ (measure, not the zhǎng ‘grow’ reading). 火尖槍 ‘fire-tipped spear’, the demon's signature weapon. 一夥/一桿 (一 before t3 → yì, mechanical).
The demon king swung his spear and strode out; he wore neither helmet nor armour of any kind, only a brocade battle-skirt bound at the waist, and barefoot he walked out before the gate.
拽步 ‘to stride out’: 拽 read zhuài (to drag/pull the step), not the zhuāi ‘hurl’ default. 甚麼 shén. 腰間 jiān (‘at the waist’). 赤著腳 ‘barefoot’: 著 zhe, durative. 一條 (一 before 條 t2 → yì).
The scene is the demon arming for battle. The detail that matters is the five carts ranged 按金木水火土 — by the sequence of the Five Phases. This is the physical setting for the 三昧真火 (samādhi true-fire) the demon will raise: a fire framed, in the internal-alchemy allegory, as the Five Phases turned against the adept, exactly as the chapter's opening lyric warned (五行蹬蹭破禪林).
The demon comes out almost naked — no helmet, no armour, barefoot, only a brocade battle-skirt — which underlines that his power is not in arms but in the fire he commands. The fire-tipped spear (火尖槍) is less a weapon than a conduit for it.