幌棒驚馬 A Flourish of the Golden Staff
四眾進山,緩行良久,過了山頭。下西坡,乃是一段平陽之地。豬八戒賣弄精神,教沙和尚挑著擔子,他雙手舉鈀,上前趕馬。那馬更不懼他,憑那獃子嗒笞笞的,還只是緩行不緊。行者道:「兄弟,你趕他怎的?讓他慢慢走罷了。」八戒道:「天色將晚,自上山行了這一日,肚裡餓了,大家走動些,尋個人家,化些齋吃。」行者聞言道:「既如此,等我教他快走。」把金箍棒幌一幌,喝了一聲,那馬溜了韁,如飛似箭,順平路往前去了。四众进山,缓行良久,过了山头。下西坡,乃是一段平阳之地。猪八戒卖弄精神,教沙和尚挑着担子,他双手举钯,上前赶马。那马更不惧他,凭那呆子嗒笞笞的,还只是缓行不紧。行者道:「兄弟,你赶他怎的?让他慢慢走罢了。」八戒道:「天色将晚,自上山行了这一日,肚里饿了,大家走动些,寻个人家,化些斋吃。」行者闻言道:「既如此,等我教他快走。」把金箍棒幌一幌,喝了一声,那马溜了缰,如飞似箭,顺平路往前去了。
逐句解 Line by line
The four of them went up into the mountain, walking slowly a good while, and got over the summit.
四眾 is the standing collective for the pilgrim party — master, three disciples — and does not count the horse.
Coming down the western slope, they found a stretch of level open country.
平陽 is open flat ground exposed to the sun. The narrative gives them easy footing immediately after the rhapsody insisted there was none.
Zhu Bajie made a great show of his energy: he set Sha Monk to shoulder the carrying-pole while he himself raised his rake in both hands and went on ahead to drive the horse.
挑著擔子 gives three guarded graphs in a row: 挑 is tiāo, to carry on a shoulder-pole; 著 is the durative zhe; 擔 is the nominal dàn, the load itself. 教 is the causative jiào. 鈀 is pá, Bajie’s rake, against pypinyin’s default bǎ.
But the horse was not in the least afraid of him; for all the idiot’s clacking and clattering, it still only ambled along and would not hurry.
嗒笞笞 is a mimetic of the rake or the driver’s tongue clicking; per the standing policy on mimetic binomes it keeps the default readings dā chī chī, no dictionary recording a mimetic-specific value. 更 is the continuative gèng.
Pilgrim said, “Brother, what are you driving him for? Let him walk slowly and have done with it.”
罷了 is the fixed sentence-final unit — and that is that — historically 罷 (cease) plus the perfective 了, so the 罷 is the verb bà, NOT the imperative particle ba of 去罷. The position rule alone would give the wrong answer here, which is why 罷了 is handled as a bigram. The seven-graph quote-closing tail is joined back to its opener under the under-eight-graph rule.
Bajie said, “The day is getting late. We have been walking this mountain the whole day and my belly is empty. Let us all step out a little, find a house, and beg a meal there.”
將晚 is the adverbial jiāng, about to. 化些齋 is the mendicant’s proper verb — to beg by transformation of the giver’s merit — and its ordinariness here matters, because the household they eventually reach will refuse them nothing and be destroyed for it.
Pilgrim, hearing this, said, “If that is how it stands, let me make him go faster.”
教他快走 is again the causative jiào. Wukong’s readiness to solve a small problem with force is established here in miniature, four passages before he solves a large one the same way.
He gave the gold-hooped staff a flourish and let out a single shout; and the horse slipped its rein and went off down the level road ahead, swift as a flying arrow.
喝 is hè, to shout, not the hē of drinking. 似 takes the standing corpus reading sì. The staff is not struck and nobody is touched — the shout alone is enough, which is the last time in this chapter that a flourish of the staff will hurt no one.
This is comic filler in the ordinary sense, and it is also the chapter’s argument in miniature. Bajie wants the horse to go faster and applies noise; the horse ignores him. Wukong wants the horse to go faster and applies the staff; the horse bolts. The difference between the two disciples is not motive but efficacy, and the narrative has just demonstrated, harmlessly, that Wukong’s method works and everyone else’s does not.
Pilgrim’s line to Bajie — let the animal go at his own pace and have done — is the restraint the chapter will find him incapable of practising on his own account. He can counsel patience about a horse. Sixty lines later, faced with two men who have tied his master to a tree, he will kill them both and then complain that he was scolded for it.
The bolting horse is also the plot’s engine. It carries Tripitaka out ahead of his disciples and straight into the ambush, so that when the robbers stop him he is alone and on foot. Wukong’s shout is thus the proximate cause of everything that follows, including his own expulsion — a piece of construction the chapter never comments on and does not need to.