原文 Original text
繁體 Traditional
Reader's edition
小小之物
So Small a Thing
大聖接在手中,卻又不信,暗想著:「這些些兒,怎生搧得火滅?怕又是假的。」羅剎見他看著寶貝沉思,忍不住上前,將粉面搵在行者臉上,叫道:「親親,你收了寶貝吃酒罷,只管出神想甚麼哩?」大聖就趁腳兒蹺,問他一句道:「這般小小之物,如何搧得八百里火焰?」大圣接在手中,却又不信,暗想着:「这些些儿,怎生搧得火灭?怕又是假的。」罗刹见他看着宝贝沉思,忍不住上前,将粉面揾在行者脸上,叫道:「亲亲,你收了宝贝吃酒罢,只管出神想甚么哩?」大圣就趁脚儿跷,问他一句道:「这般小小之物,如何搧得八百里火焰?」
逐句解 Line by line
大聖接在手中,卻又不信,暗想著:「這些些兒,怎生搧得火滅?怕又是假的。」
大圣接在手中,却又不信,暗想着:「这些些儿,怎生搧得火灭?怕又是假的。」
The Great Sage took it into his hand, and still would not believe it, and thought privately: "So very little a thing — how should it fan a fire out? I fear this too is false."
暗想著 takes the durative zhe. 兒 in 些兒 is the retroflex suffix er. 搧得 is the potential and 得 the toneless de. The five-graph tail 怕又是假的。」 is joined backwards.
羅剎見他看著寶貝沉思,忍不住上前,將粉面搵在行者臉上,叫道:「親親,你收了寶貝吃酒罷,只管出神想甚麼哩?」
罗刹见他看着宝贝沉思,忍不住上前,将粉面揾在行者脸上,叫道:「亲亲,你收了宝贝吃酒罢,只管出神想甚么哩?」
The Rākṣasī, seeing him gaze at the treasure and brood, could not restrain herself, but came up and pressed her powdered face against the Pilgrim's, calling, "Dearest, put your treasure away and drink your wine. What are you staring and mooning about?"
看著 takes zhe. 罷 is the imperative particle ba and 哩 the toneless li. ⚠ 行 in 行者 is xíng: pypinyin mis-segments the compound in this frame and supplies háng, and the graph is guarded only by a check run after the fact.
大聖就趁腳兒蹺,問他一句道:「這般小小之物,如何搧得八百里火焰?」
大圣就趁脚儿跷,问他一句道:「这般小小之物,如何搧得八百里火焰?」
The Great Sage took the moment as she cocked up her foot, and put her a question: "So small a thing as this — how can it fan out eight hundred li of flame?"
兒 in 腳兒 is the suffix er, and 趁腳兒蹺 picks up verbatim the gesture the rhapsody described two passages earlier. 搧得 is the potential de again.
總評 Commentary
The narration slips into the Great Sage's head for one sentence and the effect is to show him at his least competent. He has the true fan in his hand, obtained without a blow struck, and his reaction is suspicion — the thing is too small, it must be another forgery. He was cheated once and has over-learned the lesson.
Her interruption is the passage's cruellest stroke, and the novel does not soften it. She presses her face to his and calls him 親親 while he sits calculating whether the object she has just entrusted to him is genuine enough to be worth stealing. The two halves of the sentence are set side by side with no comment at all.
趁腳兒蹺 is a small piece of technical precision. The rhapsody two passages back listed the cocking of her foot among the signs of drunkenness; the Great Sage now uses that very gesture as his opening, timing the question to the moment her guard is lowest. He has been reading the poem too.