假親托意 A Feigned Kinship
那女子漸漸走近石邊,大聖躬身施禮,緩緩而言曰:「女菩薩何往?」那女子未曾觀看,聽得叫問,卻自擡頭。忽見大聖的相貌醜陋,老大心驚,欲退難退,欲行難行,只得戰兢兢,勉強答道:「你是何方來者?敢在此間問誰?」大聖沉思道:「我若說出取經求扇之事,恐這廝與牛王有親。且只以假親托意,來請魔王之言而答方可。」那女子渐渐走近石边,大圣躬身施礼,缓缓而言曰:「女菩萨何往?」那女子未曾观看,听得叫问,却自擡头。忽见大圣的相貌丑陋,老大心惊,欲退难退,欲行难行,只得战兢兢,勉强答道:「你是何方来者?敢在此间问谁?」大圣沉思道:「我若说出取经求扇之事,恐这厮与牛王有亲。且只以假亲托意,来请魔王之言而答方可。」
逐句解 Line by line
The woman drew gradually nearer to the rock. The Great Sage bowed low, made his salutation, and said in a slow voice, "Whither away, lady bodhisattva?"
菩薩 is correct unguarded as pú sà. The Great Sage's address is flattery: she is no bodhisattva, and he has not the least idea yet who she is.
The woman had not been looking about her; hearing herself hailed and questioned, she raised her head.
未曾 is the literary negative of past experience. 卻自 marks the movement as involuntary — she looks up before she has decided to.
Suddenly seeing how ugly the Great Sage's features were, she took a great fright. She would have drawn back and could not; she would have gone forward and could not; and so, all a-tremble, she forced herself to answer: "What place are you come from? How dare you question anyone here?"
相 is xiàng, appearance. 勉強 takes qiǎng, to compel oneself, not the qiáng of strength. 欲退難退,欲行難行 is a balanced four-part figure of paralysis, each half naming the wish and then denying it. Two clauses the source separates with a question mark are rejoined here as one turn.
The Great Sage fell to thinking: "If I speak out the business of fetching scriptures and borrowing the fan, this creature may well be kin to the Bull King."
這廝 is contemptuous — creature, fellow — and the Great Sage is using it of a woman he has just addressed as a bodhisattva. The gap between the two registers is the passage's whole comedy.
"Better to lean upon a feigned kinship for my pretext, and answer with the story that I am come to invite the Demon King."
假親 is a pretended relation, and 托意 is to rest one's meaning on something. The plan is to claim the sworn brotherhood of five hundred years ago — which is not in fact false, and which failed him at the Rākṣasī's door in the previous chapter.
The scene is built on a mismatch of registers. The Great Sage bows, makes a formal salutation and speaks slowly, addressing a stranger on a mountain as a bodhisattva; the woman, seeing his face, is too frightened to retreat or advance and can only demand who he is. Two sentences later, in the privacy of his own deliberation, he calls her 這廝 — a creature. The courtesy is entirely tactical and the narrative shows us so immediately.
The four-part figure of her paralysis — she would withdraw and cannot, she would go on and cannot — is a stock vernacular formula, but it does real work here. She is not merely afraid; she is trapped between two impossible motions, which is precisely the position the Great Sage has manoeuvred her into by blocking the path with a greeting rather than a threat.
His decision is a small masterpiece of bad judgement. He resolves to conceal the true errand and lean instead on a feigned kinship — and the kinship he means is the sworn brotherhood with the Bull Demon King, which is not feigned at all. He tried exactly this at the Rākṣasī's door one chapter ago and it got him nothing. He is about to try it on the second wife, and the result will be considerably worse.