化齋無處 No Place to Beg Alms
卻說唐長老自趕回行者,教八戒引馬,沙僧挑擔,連馬四口,奔西走不上五十里遠近,三藏勒馬道:「徒弟,自五更時出了村舍,又被那弼馬溫著了氣惱,這半日饑又饑,渴又渴,那個去化些齋來我吃?」八戒道:「師父且請下馬,等我看可有鄰近的莊村,化齋去也。」三藏聞言,滾下馬來。獃子縱起雲頭,半空中仔細觀看,一望盡是山嶺,莫想有個人家。八戒按下雲來,對三藏道:「卻是沒處化齋,一望之間,全無莊舍。」三藏道:「既無化齋之處,且得些水來解渴也可。」八戒道:「等我去南山澗下取些水來。」沙僧即取缽盂,遞與八戒。八戒托著缽盂,駕起雲霧而去。那長老坐在路傍,等夠多時,不見回來,可憐口乾舌苦難熬。却说唐长老自赶回行者,教八戒引马,沙僧挑担,连马四口,奔西走不上五十里远近,三藏勒马道:「徒弟,自五更时出了村舍,又被那弼马温着了气恼,这半日饥又饥,渴又渴,那个去化些斋来我吃?」八戒道:「师父且请下马,等我看可有邻近的庄村,化斋去也。」三藏闻言,滚下马来。呆子纵起云头,半空中仔细观看,一望尽是山岭,莫想有个人家。八戒按下云来,对三藏道:「却是没处化斋,一望之间,全无庄舍。」三藏道:「既无化斋之处,且得些水来解渴也可。」八戒道:「等我去南山涧下取些水来。」沙僧即取钵盂,递与八戒。八戒托着钵盂,驾起云雾而去。那长老坐在路傍,等够多时,不见回来,可怜口干舌苦难熬。
逐句解 Line by line
Now the Tang elder, having driven Pilgrim off himself, had Bajie lead the horse and Sha Monk carry the load; and the four of them, counting the horse, had gone west not quite fifty li when Tripitaka reined in and said: “Disciples, we left the village at the fifth watch, and then that Ban-Horse Plague put me in a temper. Half the day I have been hungrier and hungrier and thirstier and thirstier. Which of you will go and beg a little vegetarian fare for me to eat?”
勒馬 is 勒 in its ‘rein in, hold back’ sense, lè — the second reading of a graph that took lēi, ‘to squeeze’, at 把你腦漿都勒出來 in the chapter's second passage. Both readings of 勒 now occur in Ch.57, which is what the standing ruling on the graph anticipates. 著了氣惱 is resultative-attainment 著, zháo, on the pattern of 著惱 and 著忙. 挑擔 takes 挑 at tiāo and 擔 at dàn, the shoulder-pole load as a noun. 那個去化些齋 is interrogative 那, nǎ — which of you — against the deictic nà of 那弼馬溫 in the same segment. 弼馬溫 is the stable-keeper's title Wukong was fobbed off with in Heaven, and Tripitaka uses it as an insult.
Bajie said: “Master, please get down from the horse, and let me see whether there is any village nearby, and go to beg there.”
化齋 is the standing formula for begging vegetarian alms; 化 is invariant huà throughout the corpus.
Tripitaka heard him out and slid down from the horse.
滾下馬來 is more abrupt than dismounting — the verb is ‘to roll’, and it registers how far gone he already is.
The Idiot sprang up on his cloud-head and looked carefully from mid-air, but as far as he could see it was all mountain ridges, and there was no hoping for a house anywhere.
仔細 takes 仔 at zǐ, against pypinyin's zǎi, which belongs to the ‘young animal’ sense. 盡 is held at jìn corpus-wide, here the adverbial ‘entirely’. 獃子, the Idiot, is Bajie's standing epithet and takes the suffix zi.
Bajie brought his cloud down and said to Tripitaka: “There is nowhere to beg. In the whole prospect there is not a farmstead.”
莊舍 takes 舍 at shè, the noun ‘dwelling’, against the shě of ‘to give up’ that pypinyin supplies; the graph carries a standing invariant ruling. 一望之間 takes 間 at jiān, the extent.
Tripitaka said: “If there is nowhere to beg, then get me a little water to quench my thirst, and that will do.”
The request steps down from food to water, and the chapter will step it down again before it is answered.
Bajie said: “Then let me go down to the ravine on the south mountain and fetch some water.”
南山澗 fixes the direction that will matter twice more in this block: Bajie goes south, and Sha Monk follows him south, which is what leaves the master alone.
Sha Monk at once took out the alms-bowl and handed it to Bajie.
缽盂 is the monk's begging bowl, bō yú — the vessel that will reappear as the porcelain cup in the false Pilgrim's hands.
Bajie held the alms-bowl up and rose away on cloud and mist.
托著 is durative 著, zhe — the bowl held up and kept held — against the resultative zháo of 著了氣惱 in the first segment of this passage.
The elder sat by the roadside and waited a long while, and saw no one come back; and pitiable it was, his mouth dry and his tongue bitter, the thirst past bearing.
口乾 takes 乾 at gān, against pypinyin's qián, which is the trigram name. 難熬 takes 難 as ‘hard to’, nán. 可憐 here is the narrator's own comment rather than a character's, which is what sets up the poem that follows.
The chapter changes register completely. After two hundred lines of argument at Potalaka the narrative drops to the plainest business the pilgrimage has: an old man on a road is hungry, and nobody can find him anything to eat. The prose gets shorter and flatter as it goes, and the requests get smaller — a meal, then water, then nothing at all.
Tripitaka's temper is worth noticing, because it is the only thing in the scene that connects back to Potalaka. He blames his hunger on 那弼馬溫, that Ban-Horse Plague, which is the stable-keeper's title Heaven fobbed Wukong off with in the early chapters and the one insult guaranteed to enrage him. The Bodhisattva has just finished defending this man's good faith; the text lets us hear him at his pettiest about four hundred graphs later.
The staging is also a piece of plot engineering. Bajie goes south for water, and the master is left sitting by the road — which is the condition the rest of the chapter requires. Everything from here is arranged so that when someone appears offering a cup of water, there is no one present who could contradict him.