Canonical Classics ← 第四十四回
第四十四回
shēnyuányùnféngchē
xīnzhèngyāoxiéguān

The Dharma-Body in Its Primal Cycle Meets the Powers of Cart-Slow · The Upright Heart Ferries Demon and Fiend Past the Spinal Pass

道士打扮
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition 含詞賦 With rhapsody

道士打扮 The Daoists' Array

kànzěnshēngbàndànjiànkànzěnshēngbàndànjiàn

tóudàixīngguānshēnjǐnxiùtóudàixīngguānshēnjǐnxiù
tóudàixīngguānguāng耀yào耀yàoshēnjǐnxiùcǎixiápiāotóudàixīngguānguāng耀yào耀yàoshēnjǐnxiùcǎixiápiāo
yúntóuyāoshútāoyúntóuyāoshútāo
miàn滿mǎnyuèduōcōngjùnxíngyáotiānxiānjiāomiànmǎnyuèduōcōngjùnxíngyáotiānxiānjiāo

逐句解 Line by line

kànzěnshēngbàn kànzěnshēngbàn

Look how they were got up.

怎生打扮 = “how (they were) dressed.”

dànjiàn dànjiàn

See them:

但見他, the tag opening the costume showcase.

tóudàixīngguānshēnjǐnxiù tóudàixīngguānshēnjǐnxiù

On their heads, star-crowns; over their bodies, brocade.

星冠: = guān, the noun “cap, crown.”

tóudàixīngguānguāng耀yào耀yàoshēnjǐnxiùcǎixiápiāo tóudàixīngguānguāng耀yào耀yàoshēnjǐnxiùcǎixiápiāo

On their heads star-crowns, glittering bright; over their bodies brocade, like drifting rosy cloud.

彩霞飄: brocade shimmering like drifting sunset cloud; the restates and amplifies the couplet above.

yúntóuyāoshútāo yúntóuyāoshútāo

On their feet, cloud-toed shoes; at their waists, sashes of glossy silk.

腰繫: = here, “to tie, fasten” a physical sash — not the abstract . (tāo), a silk cord.

miàn滿mǎnyuèduōcōngjùnxíngyáotiānxiānjiāo miànmǎnyuèduōcōngjùnxíngyáotiānxiānjiāo

Faces round as the full moon, clever and comely; forms like fairy-guests of the Jasper Heaven, and fair.

形似: = , the comparative. 瑤天, the Jasper (jade) Heaven of the immortals.


總評 Commentary

The set-piece portrait — star-crowns, brocade, cloud-toed shoes, silk sashes, moon-round faces — renders the two young Daoists in the idiom the novel reserves for transcendents and grandees, and the irony is deliberate: these gorgeously appointed “fairy-guests of the Jasper Heaven” are the overseers of a slave-gang. The finery sits directly against the previous passage’s ragged, straining monks, and the collision of the two images is the chapter’s argument in miniature.