Canonical Classics ← 第五十四回
第五十四回
xìng西láiféngguó
xīnyuándìngtuōyānhuā

The Dharma-Nature, Coming West, Meets the Land of Women · The Mind-Monkey Lays a Plan to Escape the Flowery Snare

驛丞恕罪
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

驛丞恕罪 The Warden Begs Pardon

guānyǐnqǐngmendōujìnnèizhèngtīngzuòxiàhuànkàncháyòujiànshǒuxiàrénjìnshìsānliǔshūtóuliǎngjié穿chuānzhīlèikànchádexiàoshǎoqǐngcháguānqiànshēnwènyuē:「使shǐlái?」xíngzhědào:「děngnǎidōngtángwángjiàxiàqīnchāishàng西tiānbàiqiújīngzhěshī便biànshìtángwánghàoyuētángsānzàngnǎisūnkōngzhèliǎngshìshīzhūnéngshājìngxíngliánkǒusuíshēnyǒutōngguānwéndiéwèizhàoyànfàngxíng。」guānzhíxiěxiàláikòutóudào:「lǎoshùzuìxiàguānnǎiyíngyángchéngshízhīshàngbānglǎozhīdāngyuǎnjiē。」bàishēnlìngguǎnshìdeānpáiyǐnzhuàndào:「yemenkuānzuòshídàixiàguānjìnchéngzòuwángdǎohuànguānwénlǐngsònglǎomen西jìn。」sānzàngxīnránérzuòguānyǐnqǐngmendōujìn驿nèizhèngtīngzuòxiàhuànkàncháyòujiànshǒuxiàrénjìnshìsānliǔshūtóuliǎngjié穿chuānzhīlèikànchádexiàoshǎoqǐngcháguānqiànshēnwènyuē:「使shǐlái?」xíngzhědào:「děngnǎidōngtángwángjiàxiàqīnchāishàng西tiānbàiqiújīngzhěshī便biànshìtángwánghàoyuētángsānzàngnǎisūnkōngzhèliǎngshìshīzhūnéngshājìngxíngliánkǒusuíshēnyǒutōngguānwéndiéwèizhàoyànfàngxíng。」guānzhíxiěxiàláikòutóudào:「lǎoshùzuìxiàguānnǎiyíngyáng驿驿chéngshízhīshàngbānglǎozhīdāngyuǎnjiē。」bàishēnlìngguǎnshìdeānpáiyǐnzhuàndào:「yemenkuānzuòshídàixiàguānjìnchéngzòuwángdǎohuànguānwénlǐngsònglǎomen西jìn。」sānzàngxīnránérzuò


逐句解 Line by line

guānyǐnqǐngmendōujìnnèizhèngtīngzuòxiàhuànkànchá guānyǐnqǐngmendōujìn驿nèizhèngtīngzuòxiàhuànkànchá

The woman official led the way and invited them all into the posthouse, where they were seated in the main hall, and she at once called for tea to be brought.

is dōu. 看茶 takes as kàn — in Ming vernacular the phrase means to have tea served, not to look at it. 正廳 is the principal hall of an official residence, where a guest of rank is received.

yòujiànshǒuxiàrénjìnshìsānliǔshūtóuliǎngjié穿chuānzhīlèi yòujiànshǒuxiàrénjìnshìsānliǔshūtóuliǎngjié穿chuānzhīlèi

They saw further that the attendants were all of the sort that comb their hair in three braids and wear their garments in two pieces.

三綹梳頭兩截穿衣 is a fixed descriptive formula for a woman's appearance — the hair parted and plaited in three, the dress made as separate jacket and skirt rather than as a single robe. The pilgrims register the country a second time, and again by clothing.

kànchádexiào kànchádexiào

Look at them — even the ones bringing the tea were laughing.

你看他 is the storyteller's direct address to his audience, retained here rather than smoothed away. 拿茶的 closes on the particle de, and is kàn.

shǎoqǐngchá shǎoqǐngchá

In a little while the tea was done.

少頃 takes as shǎo, 'a little'. 茶罷 takes as the verb , to have finished — not the sentence-final particle ba. Position decides.

guānqiànshēnwènyuē:「使shǐlái?」 guānqiànshēnwènyuē:「使shǐlái?」

The woman official bowed slightly and asked, 「Whence come the envoys?」

欠身 is the small forward inclination of courtesy, less than a full bow. 問曰 rather than 問道 is a shade more formal, and the whole exchange that follows is conducted in the register of official reception.

xíngzhědào:「děngnǎidōngtángwángjiàxiàqīnchāishàng西tiānbàiqiújīngzhě xíngzhědào:「děngnǎidōngtángwángjiàxiàqīnchāishàng西tiānbàiqiújīngzhě

Pilgrim said, 「We are envoys commissioned by the Tang emperor of the Land of the East, bound west to worship Buddha and seek the scriptures.

欽差 takes as chāi, to dispatch on commission; pypinyin gives chà, which belongs to the 'differ, be amiss' sense. is . Pilgrim answers as a herald would, giving authority before identity.

shī便biànshìtángwánghàoyuētángsānzàng shī便biànshìtángwánghàoyuētángsānzàng

My master is none other than the Tang emperor's own brother, styled Tripitaka Tang.

號曰 takes as hào, the noun 'style, title'. 御弟 — the imperial younger brother — is the standing formula for Tripitaka's rank, and it is the phrase the whole chapter will turn on.

nǎisūnkōng nǎisūnkōng

I am his eldest disciple, Sun Wukong.

大徒弟 is the senior disciple, first in order of taking rather than in age.

zhèliǎngshìshīzhūnéngshājìng zhèliǎngshìshīzhūnéngshājìng

These two are my younger fellow-disciples, Zhu Wuneng and Sha Wujing.

師弟 are disciples junior in the same line, not younger brothers; the English keeps the relation explicit because the party is a monastic order, not a family.

xíngliánkǒu xíngliánkǒu

Our party, counting the horse, is five mouths in all.

連馬五口 counts the dragon-horse among the persons of the party. as a classifier for people is standard in a census or travel document, and the phrase will be repeated verbatim in the warden's report to the throne.

suíshēnyǒutōngguānwéndiéwèizhàoyànfàngxíng。」 suíshēnyǒutōngguānwéndiéwèizhàoyànfàngxíng。」

We carry a passport upon our persons, and beg that it may be inspected and we let through.」

乞為 takes as wèi, the purposive 'for the sake of'. 通關文牒 is the travel document the Tang court issued and every kingdom on the route countersigns — the physical object around which this chapter's plot is built.

guānzhíxiěxiàláikòutóudào:「lǎoshùzuìxiàguānnǎiyíngyángchéngshízhīshàngbānglǎozhīdāngyuǎnjiē。」 guānzhíxiěxiàláikòutóudào:「lǎoshùzuìxiàguānnǎiyíngyáng驿驿chéngshízhīshàngbānglǎozhīdāngyuǎnjiē。」

When the woman official had taken up her brush and finished writing, she came down and knocked her head upon the ground, saying, 「Forgive my offence, Your Reverences. This humble officer is warden of the Posthouse of Welcomed Yang. Truly I did not know that Your Reverences came from a superior realm; had I known, I should have gone far out to meet you.」

寫罷 takes as , done. 知當 takes as dāng, the modal 'ought'. 驛丞 is the warden or superintendent of a post station, a minor but real office. The J2 join takes her attribution and the four-graph 老爺恕罪 onto the sentence that completes the speech.

bàishēnlìngguǎnshìdeānpáiyǐnzhuàndào:「yemenkuānzuòshídàixiàguānjìnchéngzòuwángdǎohuànguānwénlǐngsònglǎomen西jìn。」 bàishēnlìngguǎnshìdeānpáiyǐnzhuàndào:「yemenkuānzuòshídàixiàguānjìnchéngzòuwángdǎohuànguānwénlǐngsònglǎomen西jìn。」

Her obeisance done, she rose and at once ordered the steward to lay out food and drink, saying, 「Sit at your ease a while, sirs, while this humble officer goes into the city to lay the matter before our sovereign, has the passport countersigned and your travelling provisions issued, and sends Your Reverences on westward.」

管事的 closes on de. 領給 takes as : in classical administrative and military usage means to provide or supply (供給, 補給), and 領給 is the formal issue of travel provisions, rations and funds — not a document. 倒換 takes as dǎo — the formal act of a kingdom endorsing a passport. The 世德堂本 punctuates 安排飲饌:「, which strands a bare attribution at the head of the next unit; the two are joined here (J2) so that no segment opens on :「.

sānzàngxīnránérzuò sānzàngxīnránérzuò

Tripitaka sat down well pleased, and of him we say no more.

不題 is the storyteller's formula for setting a thread aside — 'of this we speak no further' — and it marks the switch of scene to the court that follows.


總評 Commentary

The whole passage is an exercise in protocol, and the joke is that the protocol works perfectly. A guest is led in, seated in the principal hall, given tea; his credentials are asked for in formal language and supplied in formal language; a clerk writes the names down; the clerk then discovers she has under-received a person of rank and performs the appropriate self-abasement. Nothing about this sequence would be out of place in any kingdom on the pilgrims' route.

Pilgrim's recitation is the closest thing the novel has to a party manifest, and the order is diplomatic rather than personal: authority first (commissioned by the Tang emperor), then purpose, then the master's rank, then his own name, then the juniors, then the count. 連馬五口 — five mouths counting the horse — is the detail that gives it away as a customs declaration, and the warden will repeat the phrase word for word when she reports to the throne.

Two small things puncture the formality. The attendants are laughing — the narrator breaks his own frame to point it out, 你看他, look at them — and the reader knows why, though nobody in the room says so. And the warden addresses the pilgrims throughout as 老爺 and 爺爺們 — sirs, venerable gentlemen — a form of respect that in this country carries an edge the pilgrims cannot hear. The scene is entirely courteous and entirely a trap, and the two facts do not conflict.