Canonical Classics ← 第四十七回
第四十七回
shèngsēngtōngtiānshuǐ
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The Holy Monk Is Barred at Night by the Water That Reaches the Sky · Metal and Wood, Extending Mercy, Rescue the Little Children

屏後老翁
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

屏後老翁 The Old Man Behind the Screen

xíngzhěhuǒdiǎnshàngdēngzhúchěguòzhāngjiāoqǐngtángsēngzuòzàishàngmiànxiōngmenzuòzàiliǎngbànglǎozhězuòzàiqiánmiànzhèngzuòjiānzhǐtīngmiànménkāichùyòuzǒuchūlǎozhězhǔzheguǎizhàngdào:「shìshénmexiéhēiláishànménzhījiā?」qiánmiànzuòdelǎozhěshēnyíngdàopíngménhòudào:「rǎngshìxiénǎidōngtángjīngdeluóhànmenxiàngmàosuīxiōngguǒránshìxiàngèrénshàn。」lǎozhěfāngcáifàngxiàzhǔzhàngwèixíngzuòlemiànqiánjiào:「kàncháláipáizhāi。」liánjiàoshùshēngtóngzhànzhànjīngjīnggǎnlǒngzhàngxíngzhěhuǒdiǎnshàngdēngzhúchěguòzhāngjiāoqǐngtángsēngzuòzàishàngmiànxiōngmenzuòzàiliǎngbànglǎozhězuòzàiqiánmiànzhèngzuòjiānzhǐtīngmiànménkāichùyòuzǒuchūlǎozhězhǔzheguǎizhàngdào:「shìshénmexiéhēiláishànménzhījiā?」qiánmiànzuòdelǎozhěshēnyíngdàopíngménhòudào:「rǎngshìxiénǎidōngtángjīngdeluóhànmenxiàngmàosuīxiōngguǒránshìxiàngèrénshàn。」lǎozhěfāngcáifàngxiàzhǔzhàngwèixíngzuòlemiànqiánjiào:「kàncháláipáizhāi。」liánjiàoshùshēngtóngzhànzhànjīngjīnggǎnlǒngzhàng


逐句解 Line by line

xíngzhěhuǒdiǎnshàngdēngzhúchěguòzhāngjiāoqǐngtángsēngzuòzàishàngmiàn xíngzhěhuǒdiǎnshàngdēngzhúchěguòzhāngjiāoqǐngtángsēngzuòzàishàngmiàn

Pilgrim took up a torch, lit the lamps and candles, drew over a folding chair, and invited the Tang Monk to sit above;

交椅 = a folding armchair, the seat of honor.

xiōngmenzuòzàiliǎngbànglǎozhězuòzàiqiánmiàn xiōngmenzuòzàiliǎngbànglǎozhězuòzàiqiánmiàn

his brothers sat to either side, and the old man sat in front.

Deictic 那老者: = . 兩傍 ("on both sides"): = bàng.

zhèngzuòjiānzhǐtīngmiànménkāichùyòuzǒuchūlǎozhězhǔzheguǎizhàngdào:「shìshénmexiéhēiláishànménzhījiā?」 zhèngzuòjiānzhǐtīngmiànménkāichùyòuzǒuchūlǎozhězhǔzheguǎizhàngdào:「shìshénmexiéhēiláishànménzhījiā?」

Just as they were settling into their seats, they heard within the sound of a door opening, and out came another old man, leaning on a staff: "What evil spirits are these, come to my god-fearing house in the dead of night?"

聽得: = . Durative 拄著: = zhe. 甚麼: = shén. 善門之家 = "a household of piety."

qiánmiànzuòdelǎozhěshēnyíngdàopíngménhòudào:「rǎngshìxiénǎidōngtángjīngdeluóhàn qiánmiànzuòdelǎozhěshēnyíngdàopíngménhòudào:「rǎngshìxiénǎidōngtángjīngdeluóhàn

The old man seated in front rose hastily and went to meet him behind the screen-gate: "Brother, do not shout — they are no evil spirits, but arhats from the Land of the East, Great Tang, come to fetch the scriptures.

屏門 = the screening inner gate; 羅漢 = arhats. 不是 = "are not."

menxiàngmàosuīxiōngguǒránshìxiàngèrénshàn。」 menxiàngmàosuīxiōngguǒránshìxiàngèrénshàn。」

Though the disciples are fierce of feature, they are truly a case of ugly looks and kindly hearts."

相貌 and 相惡人善 ("features fierce but the men good"): both = xiàng (appearance).

lǎozhěfāngcáifàngxiàzhǔzhàngwèixíng lǎozhěfāngcáifàngxiàzhǔzhàngwèixíng

At this the old man set down his staff and made his courtesies to the four of them.

Deictic 那老者: = . 行禮: = xíng.

zuòlemiànqiánjiào:「kànchálái zuòlemiànqiánjiào:「kànchálái

The courtesies done, he too sat down in front, and called: "Bring tea.

禮畢 = "the courtesies finished."

páizhāi。」 páizhāi。」

Lay out the meal."

排齋 = "to set out the maigre-meal."

liánjiàoshùshēngtóngzhànzhànjīngjīnggǎnlǒngzhàng liánjiàoshùshēngtóngzhànzhànjīngjīnggǎnlǒngzhàng

He called several times over, but the few serving-lads, trembling, dared not come near.

連叫數聲: = shù ("several"). 攏帳 = "to draw near."


總評 Commentary

A second, older householder enters — leaning on a staff, alarmed by the night's uproar — and the passage briefly steadies the scene around him. His first cry takes the pilgrims for evil spirits "come to my god-fearing house," and it falls to his brother to vouch for them: they are arhats bound for the Western Heaven, and the disciples, for all their fierce faces, are "a case of ugly looks and kindly hearts." The formula, 相惡人善, crystallizes the arc's running theme of appearance against nature.

Reassured, the elder makes his courtesies and calls for tea and a meal — but the comedy quietly persists in the margins, for the serving-lads, still terrified, dare not come near to lay it out. The detail keeps the household's fright alive beneath the returning decorum and sets the stage for the feast to come, in which Eight Rules' appetite will overturn propriety once more.