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八戒推託
Eight Rules Makes Excuses
那八戒聽得此言,心中大驚道:「哥哥,你要弄精神,不管我死活,就要攀扯我。」行者道:「賢弟,常言道:『雞兒不吃無工之食。』你我進門,感承盛齋,你還嚷吃不飽哩,怎麼就不與人家救些患難?」八戒道:「哥啊,變化的事情,我卻不會哩。」行者道:「你也有三十六般變化,怎麼不會?」三藏叫:「悟能,你師兄說得最是,處得甚當。常言:『救人一命,勝造七級浮屠。』一則感謝厚情;二來當積陰德;況涼夜無事,你兄弟耍耍去來。」八戒道:「你看師父說的話,我只會變山,變樹,變石頭,變癩象,變水牛,變大胖漢還可;若變小女兒,有幾分難哩。」那八戒听得此言,心中大惊道:「哥哥,你要弄精神,不管我死活,就要攀扯我。」行者道:「贤弟,常言道:『鸡儿不吃无工之食。』你我进门,感承盛斋,你还嚷吃不饱哩,怎么就不与人家救些患难?」八戒道:「哥啊,变化的事情,我却不会哩。」行者道:「你也有三十六般变化,怎么不会?」三藏叫:「悟能,你师兄说得最是,处得甚当。常言:『救人一命,胜造七级浮屠。』一则感谢厚情;二来当积阴德;况凉夜无事,你兄弟耍耍去来。」八戒道:「你看师父说的话,我只会变山,变树,变石头,变癞象,变水牛,变大胖汉还可;若变小女儿,有几分难哩。」
逐句解 Line by line
那八戒聽得此言,心中大驚道:「哥哥,你要弄精神,不管我死活,就要攀扯我。」
那八戒听得此言,心中大惊道:「哥哥,你要弄精神,不管我死活,就要攀扯我。」
When Eight Rules heard this, he was greatly dismayed at heart: "Brother, you want to show off your powers, and never mind whether I live or die — you must drag me into it."
Deictic 那八戒: 那 = nà. 聽得: 得 = dé. 心中: 中 = zhōng. 攀扯 = "to drag in, implicate."
行者道:「賢弟,常言道:『雞兒不吃無工之食。』
行者道:「贤弟,常言道:『鸡儿不吃无工之食。』
Pilgrim said: "Worthy brother, as the saying goes: 'A chicken does not eat the food it has not worked for.'
In 雞兒 the 兒 = er (diminutive suffix, not the child-morpheme ér). 無工之食 = "food unearned by labor."
你我進門,感承盛齋,你還嚷吃不飽哩,怎麼就不與人家救些患難?」
你我进门,感承盛斋,你还嚷吃不饱哩,怎么就不与人家救些患难?」
We came in at their door and were treated to a handsome meal — you were still bawling that you had not eaten your fill — so why not save these people from a little trouble?"
感承盛齋 = "gratefully received a generous meal"; 你還嚷: 還 = hái. 患難 = "distress, calamity."
八戒道:「哥啊,變化的事情,我卻不會哩。」
八戒道:「哥啊,变化的事情,我却不会哩。」
Eight Rules said: "Brother, this business of transformations — I am not equal to it."
變化的事情 = "the matter of transformations"; 我卻不會 = "I cannot do it."
行者道:「你也有三十六般變化,怎麼不會?」
行者道:「你也有三十六般变化,怎么不会?」
Pilgrim said: "You too have your thirty-six transformations — how can you not be equal to it?"
三十六般變化 = the thirty-six transformations, Bajie's endowment against Wukong's seventy-two.
三藏叫:「悟能,你師兄說得最是,處得甚當。
三藏叫:「悟能,你师兄说得最是,处得甚当。
Tripitaka called: "Wuneng, your elder brother has spoken most rightly and judged the matter most aptly.
三藏: 藏 = zàng. 說得最是 and 處得甚當: both complement-markers 得 = de; 甚 = shèn ("most"), and 當 = dàng ("apt, fitting"), not the modal dāng.
常言:『救人一命,勝造七級浮屠。』
常言:『救人一命,胜造七级浮屠。』
As the saying is: 'To save one life is better than to raise a seven-storied pagoda.'
浮屠 (fú tú) = a stupa or pagoda; the proverb weighs a rescued life above the merit of building one.
一則感謝厚情;
一则感谢厚情;
For one thing, it repays their kindness;
感謝厚情 = "to requite their generous feeling."
二來當積陰德;
二来当积阴德;
for another, it lays up hidden merit;
當積陰德: 當 = dāng ("ought to"). 陰德 = "hidden virtue," merit unseen by men.
況涼夜無事,你兄弟耍耍去來。」
况凉夜无事,你兄弟耍耍去来。」
and besides, the cool night is idle — go and have your sport, brothers."
涼夜無事 = "the cool night with nothing to do"; 耍耍去來 = "go and amuse yourselves."
八戒道:「你看師父說的話,我只會變山,變樹,變石頭,變癩象,變水牛,變大胖漢還可;
八戒道:「你看师父说的话,我只会变山,变树,变石头,变癞象,变水牛,变大胖汉还可;
Eight Rules said: "Listen to what the Master says! I can only turn into a mountain, a tree, a stone, a mangy elephant, a water-buffalo, or a great fat fellow — those I can manage;
癩象 = a scabby elephant; 大胖漢 = "a big stout man." 還可: 還 = hái ("still, well enough").
若變小女兒,有幾分難哩。」
若变小女儿,有几分难哩。」
but to turn into a little girl — there I find some difficulty."
小女兒: 兒 = ér. The sentence-final 哩 = li.
總評 Commentary
Bajie's reluctance is played for comedy but argued in earnest, and the passage is a small anthology of proverbs. Wukong's — that a chicken does not eat food it has not worked for — invokes the plainest reciprocity: they have been fed, and must earn it. Tripitaka adds the Buddhist reckoning, that saving one life outweighs the merit of raising a seven-storied pagoda, and frames the deed as repaying kindness and laying up 陰德, hidden virtue. Against this weight of moral argument Bajie can only plead incapacity.
His excuse is the funniest thing in the passage and entirely in character. He has thirty-six transformations to Wukong's seventy-two, and his repertoire, as he lists it, runs to bulk and coarseness — a mountain, a tree, a stone, a mangy elephant, a water-buffalo, a great fat man — every one of them large and none of them delicate. A little girl is simply outside his range. The joke turns on the body he cannot escape even in transformation, and it sets up the reveal of the next passage, where the exquisitely dressed One-Steelyard-of-Gold is carried out to be copied.